Graphic narratives are one of the world’s great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale.
Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others.
Edited by:
Prof James Hodapp (Northwestern University Qatar)
Imprint: Bloomsbury Academic USA
Country of Publication: United States
Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 25mm
Weight: 454g
ISBN: 9781501373404
ISBN 10: 1501373404
Series: Literatures as World Literature
Pages: 304
Publication Date: 30 November 2023
Audience:
College/higher education
,
Primary
Format: Paperback
Publisher's Status: Active
"List of Figures Introduction: Global South Comics on Their Own Terms James Hodapp, Northwestern University, Qatar 1. Pages of Exception: Graphic Reportage as World Literature Dominic Davies, City University London, UK 2. Latin America’s Tinta Femenina and Its Place in Graphic ""World Literature"" Jasmin Wrobel, Freie Universität Berlin, Germany 3. An Alternative Worldliness: Verbal and Visual Experimentations in Fi shiqqat bab el-loq (The Apartment in Bab El-Louk) Dima Nasser, Brown University, USA 4. Boys Love in Latin America: The Migration of Aesthetics in Contemporary Graphic Narrative Camila Gutiérrez, Pennsylvania State University, USA 5. A Sociological Approach to Francophone African Comics (1978-2016) Sandra Federici 6. Born in the “World”: Leila Abdelrazaq’s Writing and Art as World Literature Allison Blecker, Harvard University, USA 7. Utopias Gone Wrong: Representing the Dystopic Urban in the Indian Graphic Narrative Debadrita Chakraborty, Cardiff University, UK 8. Opening Up a World and the Temporal-Normative Dimension: Keum Suk Gendry-Kim’s Grass as World Literature Jin Lee, Myongji University, South Korea 9. Between the Saltwater and the Desert: Indigenous Australian Tales from the Margins Catherine Sly, Independent Scholar, Australia 10. A Case Study of Sita’s Ramayana, Diasporic Negotiations, COVID-19, and the Television Serial Ramayana Shilpa Daithota Bhat, Ahmedabad University, India 11. Wakanda as a Sustainable Smart Society: Africanfuturism in Marvel’s Black Panther Jana Fedtke 12. Neoliberal Ideologies in Menggapai Bintang (Reach for the Stars) Mohd Muzhafar Idrus, Habibah Ismail and Hazlina Abdullah, Universiti Sains Islam, Malaysia 13. “LONG LIVE the Waste!”: Junk Food Bites Back in Jung’s Approved for Adoption Sheng-mei Ma, Michigan State University, USA Notes on Contributors Index"
James Hodapp is Assistant Professor of English at Northwestern University in Qatar, and editor of Afropolitan Literature as World Literature (Bloomsbury, 2020).
Reviews for Graphic Novels and Comics as World Literature
Graphic Novels and Comics as World Literature is a highly compelling read for all scholars who want to expand beyond a Euro-American-Japanese-centric approach in comic research and learn about comics' crucial contribution to world literature. The comprehensive essays in this volume point out the diversity of international comic production, circulation, and reception and stress the multiplicity of comics' structural codes. They outline the need for comic research to push for a decentered approach--by envisioning universality alongside unique perspectives. In doing so, this volume convincingly discusses world literature as a processual concept rather than affirming a normative canon. I consider this volume a key addition to the disputed field of world literature; by addressing the comic medium, it presents an urgently needed debordering in thinking about the world. * Marina Rauchenbacher, Research Associate, Department of German Studies, University of Vienna, Austria, and author of Karoline von Gunderrode. Eine Rezeptionsstudie (2014) * A rich journey, this book invites us to an intimate reading of comics as world literature from a Global South perspective. Playful yet aware of what is at stake literarily and politically, it transgresses geographical as well as disciplinary borders and opens our eyes to the stories of those who, more often than not, are denied border crossing. Thoroughly researched, well written, and passionate, it will appeal to literary scholars and comic book fans alike. * Sonja Mejcher-Atassi, Associate Professor of Arabic and Comparative Literature, American University of Beirut, Lebanon, and author of The Theatre of Sa'dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual (2021) *
