In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a poetic. Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts.
Paul Binski Imprint: Yale University Press Country of Publication: United States Dimensions:
ISBN: 9780300241433 ISBN 10: 0300241437 Series:The Paul Mellon Centre for Studies in British Art Pages: 296 Publication Date: 15 May 2019 Audience:
Professional and scholarly
Format: Hardback Publisher's Status: Unspecified
Paul Binski is professor of the history of medieval art at Cambridge University.
Reviews for Gothic Sculpture
[An] erudite and wide-ranging study -Susan Jenkins, Country Life