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Golden Ages

Hasidic Singers and Cantorial Revival in the Digital Era

Jeremiah Lockwood

$57.95

Paperback

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English
University of California Press
06 February 2024
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.

Golden Ages is an ethnographic study of young singers in the contemporary Brooklyn Hasidic community who base their aesthetic explorations of the culturally intimate space of prayer on the gramophone-era cantorial golden age. Jeremiah Lockwood proposes a view of their work as a nonconforming social practice that calls upon the sounds and structures of Jewish sacred musical heritage to disrupt the aesthetics and power hierarchies of their conservative community, defying institutional authority and pushing at normative boundaries of sacred and secular. Beyond its role as a desirable art form, golden age cantorial music offers aspiring Hasidic singers a form of Jewish cultural productivity in which artistic excellence, maverick outsider status, and sacred authority are aligned.

By:  
Imprint:   University of California Press
Country of Publication:   United States
Volume:   3
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 15mm
Weight:   363g
ISBN:   9780520396425
ISBN 10:   0520396421
Series:   University of California Series in Jewish History and Cultures
Pages:   206
Publication Date:  
Audience:   College/higher education ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active

Jeremiah Lockwood is a scholar and musician, working in the fields of Jewish studies, performance studies, and ethnomusicology. He is currently a Fellow at the Katz Center for Advanced Judaic Studies at the University of Pennsylvania. Both his music performance and scholarship gravitate toward the Jewish liturgical music and Yiddish expressive culture of the early twentieth century, and the reverberations of this cultural moment in present day communities. Lockwood’s research considers the work of cantors as arbiters of social, intellectual, and aesthetic change in times of crisis and cultural transformation. Jeremiah received his Ph.D. from Stanford University in 2021. Jeremiah was a 2022–23 Yale Institute of Sacred Music Fellow, where he conducted research on the khaznte phenomenon of gramophone-era women performers of cantorial music and composed a new piece of music responding to this fecund moment in Jewish musical history. Jeremiah has recorded more than a dozen albums over a music career that spans decades with his band The Sway Machinery and other projects. 

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