Getting Lost

'With Getting Lost, Annie Ernaux goes for broke. The bed, the site of her pleasure, is to her what the gaming table is to the gambler, the bottle to the alcoholic, the syringe to the addict. The nexus of all danger. The goal is not, as she seems to believe and tries to make us believe, the necessity of passion: it is in reality only a pretext for her to risk her life.' - Martine de Rabaudy, L'Express 'From the very first lines, we feel ourselves, like her, caught up in the vertigo of waiting, obsessed by the telephone that never rings, time that passes too quickly and the meetings that become less frequent. Love, death and literature are constantly intertwined in this story that plunges us into the intimacy of a couple, without ever giving us the impression of being voyeurs.' - ELLE 'Reading her is like getting to know a friend, the way they tell you about themselves over long conversations that sometimes take years, revealing things slowly, looping back to some parts of their life over and over.' - London Review of Books 'Annie Ernaux is one of my favorite contemporary writers, original and true. Always after reading one of her books, I walk around in her world for months.' - Sheila Heti, author of Motherhood 'I find her work extraordinary.' - Eimear McBride, author of A Girl is a Half-Formed Thing 'Ernaux has inherited de Beauvoir's role of chronicler to a generation.' - Margaret Drabble, New Statesman 'Across the ample particularities of over forty years and twenty-one books, almost all short, subject-driven memoirs, Ernaux has fundamentally destabilized and reinvented the genre in French literature.' - The Nation