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From Mind to Stone

Human Conceptualisations of Animals in Bronze Age Scandinavian Rock Art

Joanna Michelic Lawrence

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English
Casemate Publishers
16 October 2026
From Mind to Stone explores human-animal relationships during the Bronze Age in Scandinavia (1800–500 cal BC) through the lens of Southern Tradition (ST) rock art from Sweden. Over this period, tens of thousands of figures were carved into the exposed bedrock of the coastal region, including a significant portion of animal depictions. Ideas about animals captured the imagination, and were important enough to people that they spent time recreating them in material culture. The resulting images represent materialised conceptions about animal natures. This book explores these conceptions and the processes by which they are formed, in order to understand the relationships between humans and animals in Scandinavian Bronze Age society.

The main research questions focus on how humans conceptualise animals within this cultural context, how these conceptualisations were materialised and negotiated in the medium of rock art, and what implications these conceptualisations had for animal roles in Bronze Age Scandinavian society. The text explores a Bronze Age ontological view of animals, encompassing understandings of their essential natures, capabilities, place in cosmology, inherent and economic values, roles within societies, and ideas about how to interact with them. It is argued that investigating the attitudes of people towards animals is a necessary step toward understanding how humans and animals related to each other in lived experience.

Part II presents the underlying research for this book. It describes how 500 animal figures and 680 anthropomorphic figures (primarily from Bohuslän, Sweden) were examined in the contexts of the surrounding images and how their visual features were evaluated through aesthetic and semiotic interpretive lenses. Qualitative characteristics of rock art images were recorded in a quantitatively accessible format, and used to identify patterns of associations between images. These patterns reflect a shared visual understanding of animal images and (by proxy) a shared ontological understanding of animal natures.

In Part III, this information is used to explore three thematic aspects that contribute to the broader picture of attitudes towards animals. Chapter 6 discusses semiotic and aesthetic choices in defining animals and argues that these aesthetic choices reveal changing relationships with animals over the course of the period. Chapter 7 explores the phenomenon of zoomorphism in non-animal figures (that is, the applications of animal features to non-animal things), elucidating symbolic roles of certain animals within Bronze Age ontologies. Chapter 8 focuses on the conceptual gendering and sex(ualis)ing of animals and argues for an interpretation that reflects the anthropomorphisation of animals over symbolic allusions to agricultural fertility. Chapter 9 synthesises the impressions and patterns emerging through these three lenses to identify underlying attitudes about the natures and roles of animals in the Bronze Age Scandinavian worldview.
By:  
Imprint:   Casemate Publishers
Country of Publication:   United States
Dimensions:   Height: 280mm,  Width: 216mm, 
ISBN:   9798888572955
Pages:   224
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Forthcoming
Part I: Background and contexts 1. Introduction 2. Humans and animals in the Nordic Bronze Age 3. Approaching Southern Tradition rock art Part II: Analysing rock art 4. Methodology 5. Site overviews Part III: Themes and interpretations 6. Annotations and aesthetics 7. Zoomorphism and horns as symbols 8. Animal genders and sexuality 9. Concluding thoughts Bibliography Appendix A: Image source and copyright information Appendix B: Full list of selected and excluded rock art sites containing animals Appendix C: Animal annotations example images

Joanna Michelic Lawrence received her PhD and MPhil in Archaeology from the University of Cambridge and her Bachelor of Arts in Anthropology from University of Wisconsin-Madison. Her research interests include the Bronze Age in Scandinavia and Europe, material culture and art, human-animal relations, and archaeologies of gender and sexuality.

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