Fate, Glory, and Love in Early Modern Gallery Decoration: Visualizing Supreme Power

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Margaretha Rossholm Lagerlöf

Fate, Glory, and Love in Early Modern Gallery Decoration

Visualizing Supreme Power

Margaretha Rossholm Lagerlöf

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English

Routledge
12 September 2013

Decorative arts; Exhibition catalogues & specific collections

Analysing the decorative programmes of the most opulent European palaces of the time, Margaretha Rossholm Lagerlöf investigates how meaning was conveyed through display and visual effects. She explores the visual meaning inherent in the scheme of spatial relations; in effects of scale, perspective, lighting, figures' positions and postures; and in relations among image types. The analysis concerns the interrelations of various kinds of images in the ensembles; the relations between images and physical site; and the address to the beholder. Lagerlöf considers the visual impact of the imagery in conjunction with 'readable' or symbolically 'coded' meanings; thus, the study does not merely subject these decorations to formalist aesthetic principles. She shows the visual meaning generally to sustain the verbal or readable messages, but often in subtle ways, extending or elaborating the meaning. Occasionally, the visual meaning comes forth as an undercurrent or complication, deviating from the proclaimed and symbolic meaning. Fate, Glory, and Love in Early Modern Gallery Decoration contributes to the body of scholarship on visual rhetoric and on how images 'act' out their messages.

By: Margaretha Rossholm Lagerlöf
Imprint: Routledge
Country of Publication: United Kingdom
Edition: New edition
Dimensions: Height: 246mm, Width: 189mm,
Weight: 952g
ISBN: 9781409431541
ISBN 10: 1409431541
Pages: 320
Publication Date: 12 September 2013
Audience: College/higher education , Further / Higher Education
Format: Hardback
Publisher's Status: Active

Contents: Introduction; La Galerie de FranÃ§ois 1er at Fontainebleau (1530-1539) - the balance of fortune; The Galleria Farnese in Rome (1597-1600): knowing the human passions; La Galerie des Glaces at Versailles (1678-1684): omnipotence in reflection; Karl XI’s gallery in Stockholm (1694-1702): Nordic light; Final discussion: the four cases as configurations of meaning; Bibliography; Index.

Margaretha Rossholm Lagerlöf is Professor of Art History at Stockholm University, Sweden.

Reviews for Fate, Glory, and Love in Early Modern Gallery Decoration: Visualizing Supreme Power

...Significant and original ... Lagerlof assembles here a group of monuments from France, Rome, and Stockholm, which allows for a synchronic interpretation and reading of significant issues of visuality and content across power regimes and the long time period of the Baroque style in Europe ... it is the first comprehensive examination in the history of art of these galleries, and as such makes an important scholarly contribution from which others may draw further conclusions.- Catherine M. Soussloff, University of British Columbia, Canada