Facture: Conservation, Science, Art History: Volume 5: Modern and Contemporary Art

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Daphne S. Barbour Suzanne Quillen Lomax

Facture

Conservation, Science, Art History: Volume 5: Modern and Contemporary Art

Daphne S. Barbour, Suzanne Quillen Lomax

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English

Yale University Press
08 June 2021

The Arts: General & Reference

Close technical examinations of the techniques and materials of Edward Steichen, Mark Rothko, Jules Olitski, Jasper Johns, and others are accompanied by essays that probe issues of conserving contemporary art

Volume 5 of the National Gallery of Art’s biennial conservation research journal Facture explores issues associated with the conservation and technical analysis of modern and contemporary art. Focusing on works in a variety of media by celebrated artists such as Edward Steichen (1879–1973), Mark Rothko (1903–1970), Jules Olitski (1922–2007), and Jasper Johns (b. 1930), this publication’s seven essays offer expertise from conservators, scientists, and art historians, yielding exceptional insights into extraordinary works of art. As in all issues of Facture, the peer-reviewed essays, enlivened with spectacularly detailed photography, navigate interdisciplinary boundaries to examine artworks from technical, scientific, and art-historical perspectives. In this issue, the dialogue is further expanded to include contributions from artists, their families, and their foundations.

Edited by: Daphne S. Barbour, Suzanne Quillen Lomax
Imprint: Yale University Press
Country of Publication: United States
Dimensions: Height: 286mm, Width: 203mm,
ISBN: 9780300261035
ISBN 10: 0300261039
Pages: 220
Publication Date: 08 June 2021
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Daphne Barbour is senior object conservator, and Suzanne Quillen Lomax is senior conservation scientist, both at the National Gallery of Art, Washington, DC.

Reviews for Facture: Conservation, Science, Art History: Volume 5: Modern and Contemporary Art

As in all issues of Facture, the peer-reviewed essays, enlivened with spectacularly detailed photography, navigate interdisciplinary boundaries to examine artworks from technical, scientific and art-historical perspectives. -Peter Bower, The Quarterly