Euripides

'Helen'

Euripides, William Allan (University of Oxford)

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English

Cambridge University Press
11 February 2008

Literary studies: classical, early & medieval; Literary studies: plays & playwrights; Ancient Greek

Series: Cambridge Greek and Latin Classics

This up-to-date edition offers a detailed literary and cultural analysis of Euripides' Helen, a work which arguably embodies the variety and dynamism of fifth-century Athenian tragedy more than any other surviving play. The story of an exemplary wife (not an adulteress) who went to Egypt (not to Troy), Euripides' 'new Helen' skilfully transforms and supplants earlier currents of literature and myth. The Introduction elucidates Euripides' treatment of Helen and sets the play in its wider intellectual context. It also discusses questions of genre and reception, rejecting such descriptions as 'tragicomedy' or 'romantic tragedy', and showing how later artists have responded to Euripides' unorthodox heroine and her phantom double. The Commentary's notes on language and style are intended to make Helen fully accessible to readers of Greek at all levels, while the edition as a whole is designed for use by anyone with an interest in Greek tragedy.

By: Euripides
Edited by: William Allan (University of Oxford)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 140mm, Spine: 20mm
Weight: 540g
ISBN: 9780521545419
ISBN 10: 0521545412
Series: Cambridge Greek and Latin Classics
Pages: 396
Publication Date: 11 February 2008
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

William Allan is McConnell Laing Fellow and Tutor in Classical Languages and Literature at University College, Oxford

Reviews for Euripides: 'Helen'

"""Allan's commentary is a valuable and needed contribution to the study and dissemination of Euripides' Helen. It is rich in contextual information, straightforward in its analysis and contentions, and judicious in its treatment of the text. Additionally, it does a significant portion of the necessary work of bringing the last four decades of scholarship to bear upon our reading of the play. For all these reasons, Allan's new commentary will go a long way towards achieving his stated goal of demonstrating that 'Helen is an extraordinary exuberant and inventive drama that deserves to be read (and performed) more widely.'"" --BMCR"