Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-one include: Musica mundana, Aristotelian natural philosophy and Ptolemaic astronomy; Eros and thanatos: a Ficinian and Laurentian reading of Verdelot's Si lieta e grata morte; The debate on song in the Academia Fiorentina.
Edited by:
Iain Fenlon Imprint: Cambridge University Press Country of Publication: United Kingdom Volume: Volume 21 Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 17mm
Weight: 440g ISBN:9780521104463 ISBN 10: 0521104467 Series:Early Music History 25 Volume Paperback Set Pages: 300 Publication Date:19 March 2009 Audience:
Professional and scholarly
,
General/trade
,
Undergraduate
,
ELT Advanced
Format:Paperback Publisher's Status: Active
1. Instruments real and imaginary: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello Anne-Emmanuelle Ceulemans; 2. Musica mundana, Aristotelian natural philosophy and Ptolemaic astronomy Gabriela Ilnitchi; 3. Eros and thanatos: a Ficinian and Laurentian reading of Verdelot's Si lieta e grata morte Stefano La Via; 4. Catholic music in the diocese of Augsburg c 1600: a reconstructed tricinium anthology and its confessional implications Christian Thomas Leitmeir; 5. The debate on song in the Academia Fiorentina Robert Noscow; 6. The Cardona and Fernandez de Cordoba coats of arms in the Chigi codex Emilio Ros-Fabregas; Reviews.
