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Early Modern English Literature and the Poetics of Cartographic Anxiety

Christine Barrett (Assistant Professor of English, Louisiana State University)

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English
Oxford University Press
05 April 2018
The Cartographic Revolution in the Renaissance made maps newly precise, newly affordable, and newly ubiquitous. In sixteenth-century Britain, cartographic materials went from rarity to household décor within a single lifetime, and they delighted, inspired, and fascinated people across the socioeconomic spectrum. At the same time, they also unsettled, upset, disturbed, and sometimes angered their early modern readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph dedicated to recovering the shadow history of the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries. A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain (in ways not dissimilar from the anxieties provoked by global positioning-enabled digital mapping in the twenty-first century). At the same time, writers saw in the resistance to cartographic logics and strategies the opportunity to rethink the way literature represents spaceDLand everything else. This volume explores three major poems of the periodDLEdmund Spenser's The Faerie Queene (1590, 1596), Michael Drayton's Poly-Olbion (1612, 1622), and John Milton's Paradise Lost (1667, 1674)DLin terms of their vexed and vexing relationships with cartographic materials, and shows how the productive protest staged by these texts redefined concepts of allegory, description, personification, bibliographic materiality, narrative, temporality, analogy, and other elemental components of literary representations.

By:  
Imprint:   Oxford University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 224mm,  Width: 147mm,  Spine: 21mm
Weight:   440g
ISBN:   9780198816874
ISBN 10:   0198816871
Series:   Early Modern Literary Geographies
Pages:   244
Publication Date:  
Audience:   College/higher education ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active
Introduction: Mapping Anxiety in Early Modern English Literature 1: The Dream of an Unmappable Nation: Allegory, Cartography, and Spenser's Faerie Queene 2: Time River Body: Personification and Inappropriate Detail in Drayton's Poly-Olbion 3: Milton's Paradise Lost and the Atlas of Violence Conclusion: Wonders in the Deep

Chris Barrett is Assistant Professor of English at Louisiana State University, where she joined the faculty in 2012 after completing her doctoral degree in English at Harvard University. Her research and teaching interests include early modern English literature, especially Spenser and Milton; lyric and epic poetry; critical animal studies and ecocriticism; and geocritical approaches to literature. She is the author of articles and essays on Shakespeare, Spenser, and Milton, and her research has been supported by the Council on Research, the Newberry Library, the Folger Library, and Dumbarton Oaks Museum & Collection.

Reviews for Early Modern English Literature and the Poetics of Cartographic Anxiety

The last thirty years have witnessed an explosion of interest in Renaissance maps, cartography, and representations of space, fueled in part by a revolution in mapping technology that has suddenly allowed our phones to guide us to our destinations or to zoom in on an image of our house taken from an orbiting satellite. Chris Barrett's erudite and insightful book engages this material while considering the peculiar and sometimes fraught ways that English Protestant poets reacted to their own era's cartographic turn. * Blaine Greteman, Milton Quarterly * Although preeminently a work of literary criticism, Barrett's book remains grounded in the history of cartography and more-general ideas about space. Barrett fills her book with fascinating and apposite details ... this book kept me thinking and scrawling notes for reasons beyond this review. Barrett convinces me of the importance of how these three authors engage with the concepts of space implicit in the cartographic revolution they witnessed. Barrett also convinces me to look more closely at the next map I see, and to think about what it says and does not say about the world and our experience of it. * Sean Henry, Clio * ...this is a work of considerable intellectual commitment and authority, deeply immersed in the complex literary texts on which Barrett focuses and founded upon exceptional skills of textual analysis. * Andrew McRae, Spenser Review *


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