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Drafts in Action

Concepts and Practices of Artistic Intervention

Anna Kipke Iryna Kovalenko Laura Rogalski Simon Teune

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Paperback

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English
Diaphanes AG
25 September 2025
This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand.

How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, and human and nonhuman relations? How is the tension between concepts and actions, and between programmatic ideas and practices, addressed in historical and theoretical debates around performative, participative, and intervening arts? And in what ways do these debates provide possible tools for the analysis of artistic intervention today?

This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, and literary and performative studies as well as art practitioners, are present case studies that shed light on artistic practices that respond to geopolitical, sociocultural, and ecological crises, as well as on curatorial projects, the organization of collectives, and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors.
Edited by:   , , , ,
Imprint:   Diaphanes AG
Country of Publication:   Switzerland
Dimensions:   Height: 225mm,  Width: 140mm,  Spine: 23mm
Weight:   454g
ISBN:   9783035806984
ISBN 10:   3035806985
Series:   Intervening Arts
Pages:   272
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Anna Kipke is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin. She is coeditor of The Scope of Art Criticism. Iryna Kovalenko is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at the European University Viadrina of Frankfurt (Oder) and Free University Berlin. Laura Rogalski is a doctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Free University Berlin. Simon Teune is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Free University Berlin. Mimmi Woisnitza is a postdoctoral researcher at the Collaborative Research Center 1512 “Intervening Arts” at Leuphana University Lüneburg and Free University Berlin.

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