Deconstruction and the Work of Art

Ce livre est la premiere etude d'ensemble consacree aux rapports de ce qu'on nomme 'l'art' et de ce qu'on designe comme 'la deconstruction.' Les rapports entre deux entites aussi complexes, dont les concepts se derobent, ne peuvent qu'etre eux-memes complexes. Ce livre les analyse de facon subtile et sur la base d'une information tres solide. Il faut saluer le travail de Martta Heikila qui sera necessaire a toute recherche ulterieure dans ce domaine. This book is the first comprehensive study devoted to the relationships between what we call 'art' and what we designate as 'deconstruction.' The relationships between two such complex entities, whose concepts are concealed, can only be themselves complex. This book analyzes them in a subtle way and on the basis of very solid information. Martta Heikila's work, which will be necessary for any further research in this field, is to be commended. -- Jean-Luc Nancy, University of Strasbourg How does the 'work of art'...work? What is at work in this concept, where both terms remain so undefined? Focusing on the multiple relations between art and philosophy in Jacques Derrida's thinking about the visual arts-and to a lesser extent, Jean-Luc Nancy's and Philippe Lacoue-Labarthe's-this impressive book provides a long-awaited, in-depth discussion of how deconstruction-its critique of representation, of visibility, of naming, of the frame, and so on-transforms our way of thinking about the visual arts and of speaking about it. Martta Heikkila's study, which is both illuminative and thorough, gives us invaluable insight into how artworks and philosophical discourses encounter each other. Even more significantly, her book shows that art has always been a privileged experience of differance and spacing in Derrida's philosophy. -- Ginette Michaud, University of Montreal In this insightful book, Martta Heikkila exceeds common discussions about deconstruction and art, bringing the work of art into presence. Following not only how deconstruction meets art beyond representation, but also how artworks provoke philosophical thoughts, the author gives place for a thought of art that departs from the work done by art in thinking sensibility. It is a book that dares to look at art in work and shows in inspiring ways that the meanings of artwork are rather traces than presence, traces that demand a work of thought of the sensible spectator. In this book, art at work encounters philosophy also at work, showing how art expands philosophy when the limits of form and conceptuality touch each other, opening up the unforeseen of a thinking-feeling. -- Marcia Sa Cavalcante Schuback, Soedertoern University