Decentring the Museum

Contemporary Art Institutions and Colonial Legacies

Nina Möntmann, Paul Goodwin

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English

Lund Humphries Publishers Ltd
01 September 2023

Art & design styles: from c 1960; Museums & museology; National liberation & independence, post-colonialism

Series: New Directions in Contemporary Art

Nina Möntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that to play a crucial role within increasingly diverse societies museums and galleries of contemporary art have a responsibility to 'decentre' their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Rautenstrauch-Joest-Museum in Cologne), which are engaged in debates about the colonial histories of their collections, about trauma and repair, and of small-scale art spaces (such as La Colonie, Paris, ANO, Institute of Arts and Knowledge, Accra or Savvy Contemporary, Berlin), which have the flexibility, based on informal infrastructures, to initiate different kinds of conversation and collective knowledge production in collaboration with indigenous or local diasporic communities from the Global South.

For the first time, this book identifies the influence that anthropological museums and small art spaces can exert on museums of contemporary art to initiate a process of decentring.

By: Nina Möntmann
Foreword by: Paul Goodwin
Imprint: Lund Humphries Publishers Ltd
Country of Publication: United Kingdom
Dimensions: Height: 200mm, Width: 130mm, Spine: 15mm
ISBN: 9781848225503
ISBN 10: 1848225504
Series: New Directions in Contemporary Art
Pages: 144
Publication Date: 01 September 2023
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Nina Möntmann is Professor of Art Theory at the University of Cologne, and curator, writer and PI at the Global South Study Center (GSSC) at the University of Cologne. Her previous publications include Kunst als Sozialer Raum and the edited volumes Brave New Work: A Reader on Harun Farocki’s film 'A New Product’, Scandalous: A Reader on Art & Ethics, New Communities and Art and Its Institutions.

Reviews for Decentring the Museum: Contemporary Art Institutions and Colonial Legacies

Winner of CHOICE Outstanding Academic Title 2024 'This book provides important solutions for making art and anthropological museums culturally relevant. It proposes an expansive model of museology grounded in notions of repair and healing and in practices of restoration and restitution, offering a distinct vision for the future of museums. Summing Up: Highly recommended.' – L. Estevez, Winston-Salem State University, CHOICE