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Deathpower

Buddhism's Ritual Imagination in Cambodia

Erik W. Davis

$107.95

Hardback

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English
Columbia University Press
08 December 2015
Drawing on extensive ethnographic fieldwork in Cambodia, Erik W. Davis radically reorients approaches toward the nature of Southeast Asian Buddhism's interactions with local religious practice and, by extension, reorients our understanding of Buddhism itself. Through a vivid study of contemporary Cambodian Buddhist funeral rites, he reveals the powerfully integrative role monks play as they care for the dead and negotiate the interplay of non-Buddhist spirits and formal Buddhist customs.

Buddhist monks perform funeral rituals rooted in the embodied practices of Khmer rice farmers and the social hierarchies of Khmer culture. The monks' realization of death underwrites key components of the Cambodian social imagination: the distinction between wild death and celibate life, the forest and the field, and moral and immoral forms of power. By connecting the performative aspects of Buddhist death rituals to Cambodian history and everyday life, Davis undermines the theory that Buddhism and rural belief systems necessarily oppose each other. Instead, he shows Cambodian Buddhism to be a robust tradition with ethical and popular components extending throughout Khmer society.
By:  
Imprint:   Columbia University Press
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 25mm
Weight:   567g
ISBN:   9780231169189
ISBN 10:   0231169183
Pages:   320
Publication Date:  
Audience:   General/trade ,  College/higher education ,  ELT Advanced ,  Primary
Format:   Hardback
Publisher's Status:   Active
Acknowledgments Note on Transliteration Introduction 1. Getting Sited in Cambodia 2. The Funeral 3. Rice, Water, Hierarchy: The Wild and the Civil 4. Building Deathpower and Rituals of Sovereignty 5. Binding Mighty Death: The Craft and Authority of the Rag Robe in Cambodian Ritual Technology 6. Gifts and Hungry Ghosts 7. Eating Leftovers, Rumors, and Witchcraft 8. Buddhism Makes Brahmanism Notes Khmer Glossary Works Cited Index

Erik W. Davis is associate professor of religious studies at Macalester College. His research interests include contemporary religious movements, spirit possession, and the ritualization of ethnic boundaries.

Reviews for Deathpower: Buddhism's Ritual Imagination in Cambodia

Deathpower provides a compelling and provocative analysis, both reflective and challenging, that will stand the test of time. More importantly, Davis is clearly emotionally and intellectually invested in his work. His care for Cambodia and its people is a model of responsible and sincere scholarship. -- Justin McDaniel, University of Pennsylvania In an original and thought-provoking book, Erik W. Davis studies the Cambodian social imagination of the wild and savage in relation to moral and hierarchical civilization based on water and rice, providing a rich interpretive ethnography connecting death and death rituals, kingship, agriculture, fertility, monasticism and monastic robes, gifts, hungry ghosts, witchcraft, boundaries, violence, and much else besides. Throughout he considers the interrelationship of what are called 'Buddhism' and 'Brahmanism.' -- Steven Collins, University of Chicago In this capacious and intricate book, Davis tells us how Cambodian Buddhists domesticate 'death power' by ritually linking rebirth to the agricultural cycle and by empowering Buddhist monks to confront, bind, and overwhelm the wild spirits that spring into the world when anyone dies. His fresh, wide-ranging findings make this an invaluable book, and his often luminous style makes it a reader's feast. -- David Chandler, Monash University Davis's beautifully written and provocative examination of the ritual power that allows the living to care for and transform the dead is not only a significant addition to literature on Buddhist funerary practices, it is also the most perceptive, meticulous, informative, and important study of contemporary Cambodian Buddhism to date. Davis's book will be a classic for its fascinating theoretical treatment of the religious imaginary in Cambodia and for its humane consideration of death and all it involves. -- Anne Hansen, University of Wisconsin-Madison


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