Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. She established herself as a poet in the 1960s and has published sixteen books of poems, most recently The Door in 2007. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, went back into the bestseller charts in 2017, when the Handmaids became a symbol of resistance against the disempowerment of women, and with the release of the award-winning Channel 4 TV series. Its sequel, The Testaments, was published in 2019 and was a global number one bestseller and won the Booker Prize. Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade and the PEN USA Lifetime Achievement Award. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.
She's one of the few contemporary writers whose poetry and prose receive equal amounts of praise. Dearly, which collects her first new poems in 10 years, covers love and loss, humanity and nature. Also: Zombies. She's keeping us on our toes, as usual * Washington Post * She's become world famous for The Handmaid's Tale, and jointly won the 2019 Booker Prize for The Testaments, but Canadian author Margaret Atwood was once better known as a poet . . . this new volume brings together some of her favourite themes, from zombies, werewolves and aliens, to the passage of time and the most pressing political issues of the day * Evening Standard * Atwood, one of the most celebrated, decorated and admired novelists in the world, started out as a poet -- Bryan Appleyard * Sunday Times * This whole collection stands as a mighty demonstration of how great poetry can embody and celebrate the sheer vibrancy and beauty of life, in the face of the most profound sorrow and terror. Read these poems aloud, read them carefully, read them with joy and tears; savour the raw power of their rhythms and assonances, and the sheer mastery with which Atwood, at the height of her powers, transforms anger and grief into glinting beauty and brilliance. And then ask yourself whether, if humanity survives, any future historian could ever find a richer, more courageous or more truthful account of what it was, and how it felt, to be alive in these times; and give yourself the answer - no, most truly, she could not -- Joyce McMillan * Scotsman * A poignant yet playful collection of verse, about endings and departures, it is sliced with clever, sharp humour -- Sonia Haria * Daily Telegraph *