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Dark Laughter

War in Song and Popular Culture

Les Cleveland

$90

Hardback

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English
Praeger Publishers Inc
23 February 1994
Popular culture is important in wartime. It asserts the values of patriotism, helps to create happy warriors, and expresses people's emotions. Here, Cleveland treats war as popular culture, using service songs, folklore, and popular music as a leitmotif to explore cultural relationships between military life and society. Drawing on 20th-century lyrics, occupational folklore, and rank-and-file parodies, protests, and sexual fantasies, he shows how crises of war are mediated by popular culture and how the soldier comes to terms with boredom, discomfort, and danger. Ranging from World War I to Vietnam and drawing on his own experience in World War II, Cleveland provides a unique treatment of military folklore and popular song in 20th-century warfare from the perspective of the ordinary soldier.
By:  
Imprint:   Praeger Publishers Inc
Country of Publication:   United States
Dimensions:   Height: 235mm,  Width: 155mm,  Spine: 23mm
Weight:   549g
ISBN:   9780275947644
ISBN 10:   0275947645
Pages:   232
Publication Date:  
Recommended Age:   From 7 to 17 years
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

LES CLEVELAND is now retired, having taught at Victoria University of Wellington, New Zealand. He is the author of numerous books, including, most recently, The Great New Zealand Songbook (1991).

Reviews for Dark Laughter: War in Song and Popular Culture

.,. a very interesting and useful social history of twentieth century war songs of the United States, Great Britain, and the British Commonwealth. With a well-researched and insightful text, reproductions of the lyrics of many songs, reproductions of a few melodies, and some appropriate illustrations, Cleveland tells the sometimes funny, sometimes vulgar, and usually poignant tale of the compositions and parodies that inspired, comforted, and amused the personnel of various armed forces. It is both excellent recreational reading and skillful history supplemented by a substantial bibliography and indexes for subjects, song titles, and song first lines. Highly recommended for all academic and public libraries. -Music Reference Services Quarterly ?...a very interesting and useful social history of twentieth century war songs of the United States, Great Britain, and the British Commonwealth. With a well-researched and insightful text, reproductions of the lyrics of many songs, reproductions of a few melodies, and some appropriate illustrations, Cleveland tells the sometimes funny, sometimes vulgar, and usually poignant tale of the compositions and parodies that inspired, comforted, and amused the personnel of various armed forces. It is both excellent recreational reading and skillful history supplemented by a substantial bibliography and indexes for subjects, song titles, and song first lines. Highly recommended for all academic and public libraries.?-Music Reference Services Quarterly ?It is both excellent recreational reading and skillful history supplemented by a substantial bibliography and indexes for subjects, song titles, and song first lines. . . . A first-rate portrayal of twentieth century war songs and their social and cultural ramifications. It is highly recommended for all academic and public libraries.?-Music Reference Services Quarterly ?M.A.S.H's Hawkeye said: Joking is the only way of opening my mouth without screaming. Cleveland's excellent and well-written book is a remarkable summary of that response to military life. Cleveland surveys the vast wealth of wartime song (primarily from WWII, Korea, and Vietnam), focusing on the warrior's experience as happy, reluctant, bawdy, hungry, and mortal. Clearly the product of thorough research and personal experience, this book is also the first comprehensive survey of its kind and deserves a prominent place in the burgeoning field of popular culture studies. Copious examples of song texts are included. There are excellent photographs, endnotes, a brief appendix of several especially significant songs, a substantial bibliography, and indexes of subjects, song titles, and first lines. Recommended for all public and academic collections.?-Choice ?This book is indeed a valuable study to have on the shelf.?-Journal of Popular Culture ... a very interesting and useful social history of twentieth century war songs of the United States, Great Britain, and the British Commonwealth. With a well-researched and insightful text, reproductions of the lyrics of many songs, reproductions of a few melodies, and some appropriate illustrations, Cleveland tells the sometimes funny, sometimes vulgar, and usually poignant tale of the compositions and parodies that inspired, comforted, and amused the personnel of various armed forces. It is both excellent recreational reading and skillful history supplemented by a substantial bibliography and indexes for subjects, song titles, and song first lines. Highly recommended for all academic and public libraries. -Music Reference Services Quarterly It is both excellent recreational reading and skillful history supplemented by a substantial bibliography and indexes for subjects, song titles, and song first lines. . . . A first-rate portrayal of twentieth century war songs and their social and cultural ramifications. It is highly recommended for all academic and public libraries. -Music Reference Services Quarterly This book is indeed a valuable study to have on the shelf. -Journal of Popular Culture M.A.S.H's Hawkeye said: Joking is the only way of opening my mouth without screaming. Cleveland's excellent and well-written book is a remarkable summary of that response to military life. Cleveland surveys the vast wealth of wartime song (primarily from WWII, Korea, and Vietnam), focusing on the warrior's experience as happy, reluctant, bawdy, hungry, and mortal. Clearly the product of thorough research and personal experience, this book is also the first comprehensive survey of its kind and deserves a prominent place in the burgeoning field of popular culture studies. Copious examples of song texts are included. There are excellent photographs, endnotes, a brief appendix of several especially significant songs, a substantial bibliography, and indexes of subjects, song titles, and first lines. Recommended for all public and academic collections. -Choice


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