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Author of seven books on race and US political culture, Matthew Frye Jacobson is Sterling Professor of American Studies and History at Yale University.
""Davis was caught between warring views of what it meant to be Black in a racist U.S. Jacobson is one of the subtlest commentators on what it means to be caught in such a cultural bind. . . . A subtle, insightful book likely to be on many readers’ radar for its nuanced look at the consequences of a racial divide with roots that, as Jacobson makes clear, are longstanding, systemic, and institutional."" * Library Journal, starred review * ""In this intriguing deep dive, Yale University historian Jacobson (Roots Too) places singer and actor Sammy Davis Jr. (1925–1990) at the center of the intersection between race, culture, and politics in America. . . . Nuanced, incisive, and frequently surprising, this is a worthy reconsideration of a divisive public figure."" * Publishers Weekly * ""Jacobson’s own writing style is scholarly yet accessible, not bogged down with too many critical theory buzzwords . . . Particularly dynamic are Jacobson’s discussions of the racial hostilities that Davis and other Black entertainers faced off-stage in Las Vegas."" * The Daily Beast * ""Within Jacobson’s rich and layered description of the civil rights movement and post-civil rights era, he gives us a detailed and compassionate portrait of Davis; we understand his passion for the civil rights movement as well as why he was called a sellout and ostracized within his Black community. . . . It’s a testament to Jacobson’s sensitivity in writing about Davis that he closes Dancing Down the Barricades without reaching a conclusion about Davis’ authenticity."" * NewCityLit * ""Not exactly a biography, this subtle, expansive study is a scaffold for a searing assessment of white racism that forced African American entertainers into hard spaces during the long civil rights era. . . . Davis, who interacted personally with Martin Luther King Jr. and Richard Nixon, emerges as a complex cultural worker whose outstanding artistry allowed him access to worlds that modeled “self-emancipation” from strictures of white racism. Summing Up: Highly recommended."" * Choice Reviews * ""Jacobson’s book is a cultural history rather than a biography…He reads Davis’s career as a series of texts, including vaudeville routines as part of the Will Mastin Trio, nightclub appearances as a solo act and with the Rat Pack, select film and television appearances, recordings, and key writings and interviews."" * California History *
