Cultural Technologies: Robots and Artificial Intelligence in the Performing Arts presents a diverse range of perspectives from leading scholars and artists on contemporary performing arts practices that engage with robotic and AI (artificial intelligence) technologies.
In Part One, ""Robot/AI Cultures and Performing Arts Practices,"" contributors discuss how cultural understandings of robots and AI influence the audience’s reception of performance works that feature such technologies and inspire artistic innovation. The chapters in Part Two, ""Performing Arts Cultures and Robots/AI Developments,"" explore how theories and practices of the performing arts can engender critical dialogue on matters of cultural difference concerning culturally non-specific (though implicitly Western) framings of robotic and AI technologies within science and engineering contexts.
Reorienting the conversation around robotics and AI in the performing arts to place culture at its centre, Cultural Technologies: Robots and Artificial Intelligence in the Performing Arts offers thought-provoking analyses for advanced undergraduates, researchers, and performing arts practitioners interested in the relationships between music, theatre, and dance, and cutting-edge robotic and AI technologies.
Edited by:
Yuji Sone,
Richard Savery (Macquarie University,
Australia)
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 229mm,
Width: 152mm,
ISBN: 9781032758619
ISBN 10: 1032758619
Pages: 202
Publication Date: 23 May 2025
Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format: Paperback
Publisher's Status: Forthcoming
Part One: Robot/AI Cultures and Performing Arts Practices 1. Introduction: New conversations across the performing arts Yuji Sone 2. I am Going to Turn into Peter: Glitching Human-Robot interactions Yaron Shyldkrot 3. medusai: A Multimodal Large Scale Robotic Musician Amit Rogel, Jiahe Qian, Ripken Walker, Nicollete Cash, Emily Liu. Hope Phan, Hannah Schlisky, Tristan Al-Haddad, and Gil Weinberg 4. Roboethics and Care in 2032 SMART-FAMILY Marina Hanganu 5. Choreographing the Future: AI, Dance, and Cultural Transformation Tanvi Raghuram, Kohinoor M. Darda, and Emily S. Cross 6. Keiichiro Shibuya’s android opera: The theatrics of exoticism Yuji Sone Part Two: Performing Arts Cultures and Robots/AI Developments 7. Chikamatsu, Mori, and the uncanny valley Karl F. MacDorman 8. Towards Embodied AI: Design Approaches for Robots in Opera Elizabeth Jochum, Tim Hopkins, Chris Kiefer, and Evelyn Ficarra 9. What Does it Mean? On Platform-Invariant “Body-Language” Dictionaries Amy LaViers 10.Questions of Voice in AI music. Denis Crowdy and James Leach 11. What Do I Say? Public Interactions with a Drumming and Rapping Robot Richard Savery, Trinity Melder, and Melissa Hill 12. A.I. Anne: Advocacy, Empathy and Creative Collaborations between Artists and Generative A.I. Janet Biggs Contributors Index
Dr. Yuji Sone is a senior lecturer in the Department of Media, Communications, Creative Arts, Language and Literature at Macquarie University, Australia. His research has focused on the cross-disciplinary conditions of technologised performance. Dr. Richard Savery is a developer of AI and robotics, using music and creativity as a medium to programme better interactions, understandings, and models. He is currently a research fellow at Macquarie University, Australia, developing new robotic musicians. His current research focuses on the creation of a new drumming and rapping robot, as well as robots painting to music and musical captcha.
