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Criss-Cross

The Making of Strangers on a Train, Hitchcock's Dazzling, Subversive Masterpiece

Stephen Rebello

$55

Hardback

Forthcoming
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English
Running Press
25 November 2025
For the very first time the tense and drama-filled story of the making Alfred Hitchcock's Strangers on a Train is revealed as author Stephen Rebello takes readers deep into the shadows and light of one of the most subversive, corrosively funny, and beloved suspense thriller masterworks.

As

entertaining as it is to watch Strangers on a Train, so too is the previously untold backstory that packs all the suspense, drama, and twists of a thriller. After all, what are the hallmarks of a great Hitchcock movie? A larger-than-life, complex cast of characters, each with something to prove, lose, or hide. Check. Tremendous risk, outsized conflict, and emotion as those men and women confront challenges off the set. Check. Feuds, deceptions, unlikely alliances, and double-crosses. Check. Coming off a 5-year-string of flops, Alfred Hitchcock gambled big on adapting Patricia Highsmith's debut novel, which critics called

""preposterous"" and ""unconvincing,"" in addition to ""unsavory,"" and ""sick"" (1950s code words for ""gay"" and ""perverted""). Each step of the production was fraught with battles, but Hitchcock masterfully stayed two steps ahead of his opponents as he fought to bring his vision to life. Strangers on a Train became not only a creative high-water mark and box-office smash for Hitchcock, but also kicked off his unmatched decade of classics including Dial M for Murder, Rear Window, Vertigo, North by Northwest, and Psycho.

Richly documented, meticulously researched, and stylishly written, Criss-Cross is more than an authoritative film book. It is a portrait of an especially politically paranoid, misogynistic, and homophobic era in America, a time of dramatic transition in the entertainment industry, and a day of reckoning for Alfred Hitchcock and a few other talents with whom he made a dark, resonant, and prescient work of art.
By:  
Imprint:   Running Press
Country of Publication:   United States
Dimensions:   Height: 232mm,  Width: 156mm,  Spine: 28mm
Weight:   520g
ISBN:   9780762486397
ISBN 10:   0762486392
Pages:   320
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Forthcoming

Stephen Rebello is a screenwriter and bestselling author of Alfred Hitchcock and the Making of Psycho and Dolls! Dolls! Dolls!: Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time. He has written screenplays for Disney, Paramount, Focus Features, and others. He has written for GQ, Playboy, Movieline, Hollywood Life, Statement, More, and Cosmopolitan. Born in southern New England, he is a longtime resident of southern California.

Reviews for Criss-Cross: The Making of Strangers on a Train, Hitchcock's Dazzling, Subversive Masterpiece

""Rebello keenly distills the 70-plus years of conversation about [Strangers on a Train's] suspenseful and subversive qualities, which made it one of the most influential of all Hitchcock films and one that deserves a fresh look by all fans of classic film."" --Christopher McKittrick, author of Vera Miles: The Hitchcock Blonde Who Got Away ""Criss-Cross is a compelling, behind-the-scenes account of one of Alfred Hitchcock's most accomplished thrillers--expertly told by a maestro of the genre, Stephen Rebello. Lavishly illustrated with gorgeous photos and Hitchcock storyboards, the book is a must for any film lover. Rebello's writing is, as expected, witty, insightful, and cinematic--with some juicy tales and fascinating anecdotes that make us feel that we are right on the soundstage and on location. Criss-Cross is simply one of the best books I've ever read about Hitchcock--and one of the best books I've read about movie making. I adored Rebello's Alfred Hitchcock and the Making of Psycho but dare I admit?--he may even have surpassed it with Criss-Cross.""--Kevin O'Brien, New York Times bestselling author of Unspeakable and The Enemy at Home ""This peek behind the maestro's curtain will spellbind cinema fans.""--Publishers Weekly ""I've long admired Stephen Rebello's smart film analyses . . . He writes about Hitchcock's creative process with such curiosity and understanding and his newest, about the making of Strangers on a Train, is such a thrilling ride. I couldn't put it down!""--Norman Buckley, television director, Sweet Magnolias and Pretty Little Liars ""With his customary flair for deep-dive research Stephen Rebello has pieced together the saga of one of Hitchcock's underrated gems.""--Leonard Maltin, film critic and historian ""Rebello's volume is extensively researched, but the details flow together in an engaging narrative of the movie that kickstarted Hitchcock's renaissance . . . An excellent look at a beloved work of Hollywood suspense.""--Peter Thornell, Library Journal ""Rebello's gifts for capturing cultural context, sexual subtext, and the machinations of the film industry remain unparalleled, and he finally provides this delightfully twisted thriller the shining platform it so richly merits.""--Alonso Duralde, author of Hollywood Pride ""Criss-Cross is one of the best books on Hitchcock ever. Rebello's revelatory research combined with his thought-provoking insight on the making of Strangers on a Train make for a compelling, entertaining, and definitive read.""--Laurent Bouzereau, filmmaker and author of The De Palma Decade ""Criss-Cross, Stephen Rebello's meticulously detailed study of [Strangers on a Train], contains everything a casually interested reader might want to know but also probes deeply enough to surprise and satisfy those who consider themselves aficionados of the director's work."" --Alain Silver, coauthor of From the Moment They Met It Was--Alain Silver, coauthor of From the Moment They Met It Was Murder ""A real gem and a must-read for anyone who loves cinema.""--Andrew J. Rausch, author of The Taking of New York City ""If your favorite Hitchcock movie is Vertigo, Psycho, or The Birds, you will probably change your mind after reading Criss-Cross.""--Robert Hofler, author of Money, Murder, and Dominick Dunne ""Superb and gripping, Criss-Cross reads like an arresting novel, and no wonder. . . . Had he been able to read Criss-Cross, with its wealth of compelling detail and cinematic verve, Sir Alfred would have been perched on the edge of his own director's chair.""--Nat Segaloff, author of The Exorcist Legacy


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