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Corporate Rock Sucks

The Rise and Fall of SST Records

Jim Ruland

$55

Hardback

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English
Da Capo Press Inc
12 July 2022
Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag's relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground.

In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Husker Du, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST's tumultuous history and epic catalog.

Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the '80s punk and alternative rock scenes, and shows how the music industry was changed forever.

By:  
Imprint:   Da Capo Press Inc
Country of Publication:   United States
Dimensions:   Height: 266mm,  Width: 164mm,  Spine: 34mm
Weight:   680g
ISBN:   9780306925481
ISBN 10:   0306925486
Pages:   432
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Jim Ruland has been writing for punk rock zines like Flipside since the early '90s and has written for every issue of Razorcake, America's only non-profit independent music fanzine. He is the co-author of Do What You Want with legendary punk band Bad Religion, as well as the co-author of My Damage with Keith Morris, the founding vocalist of Black Flag, Circle Jerks, and OFF!

Reviews for Corporate Rock Sucks: The Rise and Fall of SST Records

With Corporate Rock Sucks, Jim Ruland asserts his power as a leading chronicler of Southern California punk rock. His exhaustive research and incisive commentary form a detailed and dynamic work worthy of the gargantuan legacy of SST--one of America's foremost independent record labels that gave rise to Black Flag, the Meat Puppets, Minutemen, Husker Du, Sonic Youth, Dinosaur Jr., and many others. An essential read for those curious about the label's serpentine path and pre-broadband DIY music culture. --Erin Osmon, author of Jason Molina: Riding with the Ghost and John Prine [A] fascinating history... [Ruland] offers a most impressive work that brings together the various artists that were part of the SST galaxy, along with insightful views of the vast catalog produced by the label during its forty-year history. --Seattle Book Review Take the most influential Southern California punk label from the 1980s, combine it with the master touch of music historian Jim Ruland, and you get this incredible historical narrative that is difficult to put down. --Greg Graffin of Bad Religion When tracing the lineage of independent record labels in the American Punk scene during the 1980s, SST Records can definitely be cited as the vanguard to the whole shebang. With a history gnarled with legal issues, money issues, blown release dates, hard-living, and a devilish penchant for pushing against punk's parameters, their tale is a tough one to wrangle, but Jim manages to cut through all the convolutions to deliver the straight dope on the influential imprint in a concise, informative and entertaining way. --Tony Rettman, author of Straight Edge: A Clear-Headed Hardcore Punk History and NYHC: New York Hardcore 1980-1990. 'Get in the van, ' to borrow a phrase from another Black Flag book you may have heard of, has become something of a cliche, but it's no less true for punk bands in 2022 than it was in 1981. No matter how talented you are or how good your songs, you still, at long last, have to put in the work. The same applies to writers. For Corporate Rock Sucks, it's clear Jim has logged thousands and thousands of miles, talking to seemingly everyone who ever even heard of SST, digging up old record reviews and interviews and photos and zines no one has probably looked at for decades. It all adds up to an informative and fun read on a highly influential, and highly dysfunctional, record label. --Luke O'Neil, author of Welcome to Hell World: Dispatches from the American Dystopia SST Records became a radiant supernova of creativity and possibility. A true and livable alternative to lame shit. And then, somehow, it fell apart when it was poised to create another universe. It became radioactive, a black hole. This book is that 'somehow'--part archeology, part autopsy. --Todd Taylor, Razorcake The improbable rise and slow-motion implosion of SST Records is legendary, but nobody has painted a complete picture of the dark saga until now. Ruland combines his personal knowledge of the SoCal punk scene, in-depth research, and interviews with key players to tell the whole sordid tale. Corporate Rock Sucks is a must-read for fans of '80s/'90s hardcore, punk, and alternative rock. --S.W. Lauden, editor of Forbidden Beat: Perspectives on Punk Drumming


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