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Coral Empire

Underwater Oceans, Colonial Tropics, Visual Modernity

Ann Elias

$57.75

Paperback

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English
Duke University Press
10 May 2019
From vividly colored underwater photographs of Australia's Great Barrier Reef to life-size dioramas re-creating coral reefs and the bounty of life they sustained, the work of early twentieth-century explorers and photographers fed the public's fascination with reefs. In the 1920s John Ernest Williamson in the Bahamas and Frank Hurley in Australia produced mass-circulated and often highly staged photographs and films that cast corals as industrious, colonizing creatures, and the undersea as a virgin, unexplored, and fantastical territory. In Coral Empire Ann Elias traces the visual and social history of Williamson and Hurley and how their modern media spectacles yoked the tropics and coral reefs to colonialism, racism, and the human domination of nature. Using the labor and knowledge of indigenous peoples while exoticizing and racializing them as inferior Others, Williamson and Hurley sustained colonial fantasies about people of color and the environment as endless resources to be plundered. As Elias demonstrates, their reckless treatment of the sea prefigured attitudes that caused the environmental crises that the oceans and reefs now face.

By:  
Imprint:   Duke University Press
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   431g
ISBN:   9781478003823
ISBN 10:   1478003820
Pages:   296
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Acknowledgments  ix Introduction 1 Part I. The Coral Uncanny 1. Coral Empire  15 2. Mad Love  29 Part II. John Ernest Williamson and the Bahamas 3. Williamson and the Photosphere  49 4. The Field Museum—Williamson Undersea Expedition  68 5. Under the Sea  83 6. Williamson in Australia  97 Part III. Frank Hurley and the Great Barrier Reef 7. Hurley and the Floor of the Sea  117 8. Hurley and the Australian Museum Expedition  131 9. Pearls and Savages  147 10. Hurley and the Torres Strait Diver  165 Part IV. Hurley and Williamson 11. Explorers and Modern Media  185 12. Color and Tourism  199 Part V. The Great Acceleration 13. The Anthropocene  217 Conclusion  230 Notes  235 Bibliography  261 Index  277

Ann Elias is Associate Professor of the History and Theory of Contemporary Global Art at the University of Sydney, author of Camouflage Australia: Art, Nature, Science, and War and Useless Beauty: Flowers and Australian Art, and coeditor of Camouflage Cultures: Beyond the Art of Disappearance.

Reviews for Coral Empire: Underwater Oceans, Colonial Tropics, Visual Modernity

"""Coral Empire’s postcolonial jeremiad also registers the joyful endurance of surrealist visions of the submarine as a deliriously consciousness-altering realm."" -- James Delbourgo * TLS * ""[This] book shows that interdisciplinarity is possible. Elias combines the history of underwater cinematography and diving with attention to the surrealist art movement, natural history collecting, colonialism, and the history of tourism, and through this rich patchwork traces shifting popular interpretations of coral imagery in the early twentieth century."" -- Antony Adler * Environmental History * ""Ann Elias’ fascinating book couldn’t come at a better time. . . . Elias focuses on long neglected images from cinema, dioramas from museums, and illustrations from the press. She cleverly articulates them through a set of unexpected global connections that powerfully mobilise all the transforming ideas of empire, race, technology and nature at the time."" -- Martyn Jolly * Australian Historical Studies * ""This book is well written and the short chapters make it extremely readable. In addition, the book is beautifully printed, with black-and-white images embedded in chapters and their color counterparts inserted in the middle of the book. It is refreshing to see a book that relies on the reading of images paying such close attention to their reproduction in the text."" -- Samantha Muka * H-Net Reviews *"


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