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Copeau/Decroux, Irving/Craig

A Search for 20th Century Mime, Mask & Marionette

Thomas Leabhart

$284

Hardback

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English
Routledge
12 May 2022
"In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux’s artistic genealogy.

After four years’ apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux’s project. Decades of digging revealed striking correspondences that often led to adjacent fields—art history, philosophy, and anthropology—forays wherein Leabhart’s appreciation of Decroux and his ""kinsfolk,"" who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll’s sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux’s ""family tree""; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux’s debt to sculpture, poster art, sport and masks.

These essays will be of great interest to students, scholars and practitioners in theatre and performance studies."

By:  
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
Weight:   498g
ISBN:   9781032071817
ISBN 10:   1032071818
Series:   Routledge Advances in Theatre & Performance Studies
Pages:   174
Publication Date:  
Audience:   College/higher education ,  General/trade ,  Primary ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Thomas Leabhart, Professor of Theatre at Pomona College, California, worked with Etienne Decroux from 1968–72. He authored Modern and Post-Modern Mime (Macmillan, 1989), Etienne Decroux (Routledge, 2019) and co-edited (with Franc Chamberlain) The Decroux Sourcebook (Routledge, 2008). Leabhart edits Mime Journal, and for a decade participated as Artistic Staff at Eugenio Barba's ISTA meetings.

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