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English
Blackwell Publishing
13 December 2007
The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day.

Includes important discussions of the industry’s labour and star systems, as well as intellectual property and state relations

Considers the role of independent producers, the global marketplace for Hollywood product, corporate changes, and various new media windows, including video, DVD to cable, satellite, and online channels of delivery

Brings together an international team of leading film scholars

Offers a balanced and fresh approach to this important contemporary period in Hollywood

Edited by:   ,
Imprint:   Blackwell Publishing
Country of Publication:   United States
Dimensions:   Height: 246mm,  Width: 173mm,  Spine: 19mm
Weight:   522g
ISBN:   9781405133883
ISBN 10:   1405133880
Pages:   344
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Paul McDonald is Professor in Film and Television Studies at the University of Portsmouth, UK. He is the author of Video and DVD Industries and The Star System: Hollywood's Production of Popular Identities and co-editor for the International Screen Industries series from the British Film Institute. Janet Wasko is the Knight Chair in Communication Research at the University of Oregon. She is the author of How Hollywood Works, Understanding Disney: The Manufacture of Fantasy, and Hollywood in the Information Age: Beyond the Silver Screen. She also edited A Companion to Television and Dazzled by Disney? The Global Disney Audience Project.

Reviews for The Contemporary Hollywood Film Industry

“Covers all levels of motion pictures from a business perspective … .This book examines the industry in contemporary marketing terms, and each essay clearly explains another aspect of American film as a business. THE CONTEMPORARY HOLLYWOOD FILM INDUSTRY is a truly indispensable book, and a pioneering effort in understanding cinema’s business aspects. It’s thorough study of the financial side of motion pictures, complete with full lists of sources after each insightful essay, is fascinating, enlightening, and instructive.” (RogueCinema.com, December 2008)


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