Contemporary Exhibition-Making and Management: Curating IMT Gallery as a Hybrid Space

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Mark Rohtmaa-Jackson (Northumbria University, UK)

Contemporary Exhibition-Making and Management

Curating IMT Gallery as a Hybrid Space

Mark Rohtmaa-Jackson (Northumbria University, UK)

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English

Routledge
08 October 2024

The Arts: General & Reference; Theatre Studies; Museums & museology; Non-profitmaking organisations; Sporting events, tours & organisations

Series: Routledge Focus on the Global Creative Economy

This book provides a unique insight into contemporary curation and management in an innovative London-based gallery.

Using a critical in-depth case study exploration of IMT art gallery’s ‘successes’ and ‘failures’, it illustrates and evaluates contemporary issues and challenges in curatorial initiatives and exhibition-making strategies. IMT operates as a ‘hybrid space’, combining characteristics of both the commercial gallery sector with non-profit artist-led or garage spaces while retaining affiliations to academic teaching and research. This book explores its structure, behaviour, history, partnerships and exhibition programme through a variety of disciplinary lenses, bringing together cultural, creative, economic, and pedagogical perspectives, as well as the effect of recent sociocultural impacts of the global financial crisis, and the COVID-19 pandemic.

Research-based and thought-provoking, this study will be of great interest to researchers, advanced students and professionals in curatorial studies, museum and gallery management, and art markets.

By: Mark Rohtmaa-Jackson (Northumbria University UK)
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 138mm,
Weight: 280g
ISBN: 9781032055282
ISBN 10: 1032055286
Series: Routledge Focus on the Global Creative Economy
Pages: 146
Publication Date: 08 October 2024
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

Mark Rohtmaa-Jackson is a curator and Assistant Professor in Fine Art Critical Theory and Curatorial Practice at Northumbria University, UK.