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Conspicuous Feminism on Television

Gender, Power, and #MeToo

Anna Marie Bautista

$160

Hardback

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English
Lexington Books
30 January 2023
In Conspicuous Feminism on Television: Gender, Power and #MeToo, Anna Marie Bautista examines how the impact of the #MeToo movement on the larger cultural discourse has not only prompted a critical scrutiny of gender and power on television, but has also leveraged its popularity to commodify both oppressed and independent women. This book delves into how the pervasive misogyny exposed by #MeToo has generated configurations of conspicuous feminism in shows like Big Little Lies, The Marvelous Mrs. Maisel, Insecure, and The Handmaid's Tale. These fictional depictions emphasize feminist themes relating to misogyny and abuse, the silencing and deceptions that are preserved in order to uphold gendered power relations, the challenging of established gender roles and identities, and the integration of intersectional perspectives. Bautista explores how these representations indicate a more complex awareness of systemic misogyny in popular television series than in previous eras, reflecting the impact of #MeToo's aims to uncover and confront gendered inequality. Scholars of television studies, gender studies, and popular culture will find this book of particular interest.
By:  
Imprint:   Lexington Books
Country of Publication:   United States
Dimensions:   Height: 237mm,  Width: 157mm,  Spine: 18mm
Weight:   440g
ISBN:   9781666923001
ISBN 10:   1666923001
Pages:   180
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Table of Contents List of Figures Acknowledgments Introduction: #MeToo and Conspicuous Feminism: Manifesting Activism and Commercialism Chapter One: Negotiating Feminism on Television Chapter Two: Exposing Abuse and Misogyny – Big Little Lies Chapter Three: ‘Something Other Than A Mother or Housewife’ – Challenging Notions of Gendered Space on The Marvelous Mrs. Maisel Chapter Four: mIncorporating Intersectionality and Inclusivity – Insecure Chapter Five: Resistance and Retaliation – The Handmaid’s Tale Chapter Six: Conclusion: Advocating and Commodifying Female Empowerment in Conspicuous Feminism Bibliography About the Author

Anna Marie Bautista is lecturer in american studies, gender studies, and comparative literature at the University of Hong Kong.

Reviews for Conspicuous Feminism on Television: Gender, Power, and #MeToo

""""Five years after the #MeToo movement roiled the world of entertainment, Anna Marie Bautista makes a crucia, l critical intervention by highlighting the role '""conspicuous feminism""' plays in female-centered television series such as The Handmaid's Tale, The Marvelous Mrs. Maisel, Big Little Lies, and Insecure. Drawing on a wide range of feminist media scholarship, the book focuses on the most salient issues currently circulating throughout American popular culture involving femininity, domesticity, consumerism, racial differences, and class mobility. This is cutting-edge feminist scholarship that places #MeToo and contemporary American popular culture in a dramatic new light."""" --Gina Marchetti, Pratt Institute ""This timely treatment of prestige TV series from the past decade brings the concerns of the #MeToo movement into conversation with contemporary patterns of conspicuous consumption in the digital age. Using the term ""conspicuous feminism,"" Bautista merges Veblen's concept of ""conspicuous consumption"" with Banet-Weiser's designation of ""popular feminism,"" which emphasizes highly visible political support in the mass media and commodity spheres that ultimately falls short of meaningful challenges to the deeper structures maintaining a status quo of gendered power relations. After a chapter on the televisual history of feminist issues on TV beginning in the 1960s, the book studies the prestige streaming series Big Little Lies, The Marvelous Mrs. Maisel, Insecure, and The Handmaid's Tale. Bautista meticulously examines the plot and characterization of each show to demonstrate its intervention in feminist politics. Bautista lauds these shows for their commentary on the persistence of gender oppression. However, she worries that the commodification surrounding the shows and their need to appeal to straight, white, middle-class viewers results in a toothless critique that fails to meaningfully challenge the dominant power structures perpetuating all women's oppression. Recommended. Undergraduates through faculty and general readers."" --Choice Reviews


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