Color Management & Quality Output: Working with Color from Camera to Display to Print

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Tom Ashe (Associate Chair, Masters of Professional Studies at the School of Visual Arts in New York) Katrin Eismann

Color Management & Quality Output

Working with Color from Camera to Display to Print

Tom Ashe (Associate Chair, Masters of Professional Studies at the School of Visual Arts in New York), Katrin Eismann

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English

Focal Press
14 February 2014

Photographic equipment & techniques; Digital photography: consumer & user guides

Series: The Digital Imaging Masters Series

We have all felt the frustration of wasting time, paper, and effort when our prints or web images don’t match the images we see on our monitors. Fortunately, you’re holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you’ll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output, Tom P. Ashe, a color expert and gifted teacher, shows you how to color manage your files from input all the way through output, by clearly explaining how color works in our minds, on our monitors and computers, and through our printers.

You’ll learn to:

properly calibrate your monitor

understand Adobe Photoshop color settings

build and evaluate color profiles for all your devices

navigate the print menu in both Photoshop and Lightroom

appreciate the differences between inkjet prints and C-prints

optimize sharpening for a variety of print media

understand how and why to use RIPs

communicate with creative professionals, clients, and output service providers to ensure the highest quality results.

This book is part of The Digital Imaging Masters Series, which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City, these books are the next best thing to being in the classroom with the Digital Photography Masters themselves.

By: Tom Ashe (Associate Chair Masters of Professional Studies at the School of Visual Arts in New York)
Series edited by: Katrin Eismann
Imprint: Focal Press
Country of Publication: United Kingdom
Dimensions: Height: 229mm, Width: 229mm, Spine: 30mm
Weight: 840g
ISBN: 9780240821115
ISBN 10: 0240821114
Series: The Digital Imaging Masters Series
Pages: 456
Publication Date: 14 February 2014
Audience: General/trade , Professional and scholarly , ELT Advanced , Undergraduate
Format: Paperback
Publisher's Status: Active

SECTION 1: COLOR and COLOR MANAGEMENT CHAPTER 1: COLOR and COLOR VISION CHAPTER 2: COLOR MEASUREMENT, REPRODUCTION, and MANAGEMENT CHAPTER 3: EVALUATING IMAGE QUALITY, PRINT QUALITY, and TEST PAGES CHAPTER 4: DISPLAY ENVIRONMENTS, TECHNOLOGIES, CALIBRATION, and PROFILING CHAPTER 5: INPUT PROFILING: SCANNERS and DIGITAL CAMERAS CHAPTER 6: COLOR IN PHOTOSHOP and LIGHTROOM CHAPTER 7: BASIC COLOR CORRECTION and IMAGE RENDERING CHAPTER 8: OUTPUT PROFILING and SOFT PROOFING CHAPTER 9: OUTPUT PROFILE OPTIMIZATION and EDITING CHAPTER 10: COLOR UTILITIES and TROUBLESHOOTING CHAPTER 11: RASTER IMAGE PROCESSORS SECTION 2: DIGITAL PRINTMAKING and OUTPUT CHAPTER 12: DIGITAL OUTPUT TECHNOLOGIES and PRINT LABELING CHAPTER 13: INKJET PRINTING CHAPTER 14: BLACK-AND-WHITE DIGITAL PRINTMAKING CHAPTER 15: RESIZING and SHARPENING CHAPTER 16: COLLABORATION WITH PRINTMAKERS and SERVICE BUREAUS CHAPTER 17: CMYK OUTPUT: PRINTING PRESSES and SHORT RUN PHOTO BOOKS CHAPTER 18: COLOR MANAGING ADOBE INDESIGN, ILLUSTRATOR, and PDFS CHAPTER 19: PREPARING FILES FOR THE WEB and TABLETS CHAPTER 20: DIGITAL PRINT PERMANENCE and LONGEVITY CHAPTER 21: PRINT FINISHING, EDITIONS, and DOCUMENTATION

Tom P. Ashe, the Associate Chair of the Masters of Professional Studies in Digital Photography at the School of Visual Arts in New York City, is an internationally recognized educator and consultant in digital photography and color management. He received his Bachelor of Science in Photography from the Rochester Institute of Technology in Rochester, NY, and his Masters of Applied Science in Photography from RMIT University (formerly Royal Melbourne Institute of Technology) in Melbourne, Australia. Tom’s background as a photographer, fine art digital printmaker, and product development specialist for Eastman Kodak, Monaco Systems, and Polaroid, gives him a unique understanding of the aesthetic and technical issues in digital photography today. Series Editor Katrin Eismann is the Chair of the Masters of Professional Studies in Digital Photography at the School of Visual Arts in New York City. Known as the Photoshop Diva, Katrin is an internationally respected artist, teacher, and author. She specializes in creative digital photography and the impact of emerging technologies upon professional photographers, artists, and educators.