Collective Situations

Readings in Contemporary Latin American Art, 1995–2010

Bill Kelley Jr., Grant H. Kester

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English

Duke University Press
03 November 2017

Colonial art; Performance art; History of the Americas

In Collective Situations scholars, artists, and art collectives present a range of socially engaged art practices that emerged in Latin America during the Pink Tide period, between 1995 and 2010. This volume's essays, interviews, and artist's statements-many of which are appearing in English for the first time-demonstrate the complex relationship between moments of political transformation and artistic production. Whether addressing human rights in Colombia, the politics of urban spaces in Brazil, the violent legacy of military dictatorships in the region, or art's intersection with public policy, health, and the environment, the contributors outline the region's long-standing tradition of challenging ideas about art and the social sphere through experimentation. Introducing English-language readers to some of the most dynamic and innovative contemporary art in Latin America, Collective Situations documents new possibilities for artistic practice, collaboration, and creativity in ways that have the capacity to foster vibrant forms of democratic citizenship.

Contributors

Gavin Adams, Mariola V. Alvarez, Gustavo Buntinx, Maria Fernanda Cartagena, David Gutierrez Castaneda, Fabian Cereijido, Paloma Checa-Gismero, Kency Cornejo, Raquel de Anda, Bill Kelley Jr., Grant H. Kester, Suzanne Lacy, Ana Longoni, Rodrigo Marti, Elize Mazadiego, Annie Mendoza, Alberto Muenala, Prerana Reddy, Maria Reyes Franco, Pilar Riano-Alcala, Juan Carlos Rodriguez

Edited by: Bill Kelley Jr., Grant H. Kester
Imprint: Duke University Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 152mm,
Weight: 726g
ISBN: 9780822369264
ISBN 10: 0822369265
Pages: 448
Publication Date: 03 November 2017
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Bill Kelley Jr. is Assistant Professor of Latin American and Latino Art History at California State University, Bakersfield. Grant H. Kester is Professor of Art History at the University of California, San Diego; author of The One and the Many: Contemporary Collaborative Art in a Global Context and editor of Art, Activism, and Oppositionality: Essays from Afterimage, both also published by Duke University Press; and author of Conversation Pieces: Community and Communication in Modern Art.

Reviews for Collective Situations: Readings in Contemporary Latin American Art, 1995–2010

Collective Situations offers an impressive survey of the artistic, activist, and collective work being done today in Latin America, making it an invaluable contribution to the intersections between Latin American studies, visual arts, performance studies, and indigenous studies. Readers will learn an enormous amount from its capacious scope. -- Diana Taylor, author of * Performance *