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Cut and Paste

400 Years of Collage

Patrick Elliott Freya Gowrley Yuval Etgar

$69.99

Paperback

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English
National Galleries of Scotland
01 September 2019
Collage is one of the defining subjects in Modern Art. It is as important and popular today as it has ever been. This definitive survey of collage and 3-D sculpture (made from bits and pieces stuck and nailed together) spans the whole period from about 1600 to the present day.

Each page of this book is filled with fascination. The lavish illustrations include images of items such as books with fold-out flaps, Victorian collage, Valentine and greeting cards, double exposure photographs, album covers such as Sgt Peppers, the Hungry Caterpillar, many curiosities and items from Cubism, Dada, Surrealism, Pop, 70s counterculture, video and computerised collage.

AUTHOR: Patrick Elliott is Senior Curator at the Scottish National Gallery of Modern Art, Edinburgh. He has written extensively on modern and contemporary art. Recent publications include Another World: Dalí, Magritte, Miró and the Surrealists (2010), Tony Cragg (2011), The Two Roberts: Robert Colquhoun and Robert MacBryde (2014), The Amazing World of M.C. Escher (2015), Joan Eardley, A Sense of Place (2016) and True to Life (2017).

SELLING POINT: .

There are no other affordable books available on this important subject .

This is the only book that looks closely at the early centuries of Collage .

Collage is popular, fascinating and historically revealing

240 colour images

By:   , ,
Imprint:   National Galleries of Scotland
Country of Publication:   United Kingdom
Dimensions:   Height: 245mm,  Width: 265mm, 
ISBN:   9781911054313
ISBN 10:   1911054317
Pages:   184
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Unspecified
Contents: Collage Over the Centuries, an introductory essay by Patrick Elliott; Collage Before Modernism by Freya Gowrley; On Edge: Exploring Collage Tactics and Terminology by Yuval Etgar; catalogue of exhibition works; a Chronology of Collage.

Patrick Elliott is Chief Curator, Modern and Contemporary Art, at the National Galleries of Scotland. Freya Gowrley is a Post-Doctoral Fellow in History at the University of Derby. Her work examines the visual and material culture of Britain, North America and the British Empire in the eighteenth and nineteenth centuries, with a particular focus on collage and its histories. Yuval Etgar is the Director of Research and Exhibitions at Luxembourg & Dayan, London, and a Doctoral Candidate at the Ruskin School of Art, Saint Edmund Hall, the University of Oxford. His most recent publication, The Ends of Collage (2017), is a comprehensive anthology of writings on the history and theory of collage.

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