Choreographing Intersubjectivity in Performance Art

Victoria Wynne-Jones

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Hardback

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English

Springer Nature Switzerland AG
30 September 2021

Theatre: individual actors & directors; Dance; Cultural studies

Series: New World Choreographies

This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.

By: Victoria Wynne-Jones
Imprint: Springer Nature Switzerland AG
Country of Publication: Switzerland
Edition: 2021 ed.
Dimensions: Height: 210mm, Width: 148mm,
Weight: 483g
ISBN: 9783030405847
ISBN 10: 3030405842
Series: New World Choreographies
Pages: 255
Publication Date: 30 September 2021
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Victoria Wynne-Jones is an Auckland-based art historian, curator and writer. She currently lectures in the disciplinary areas of Art History, Fine Arts and Dance Studies. Her research focuses on the intersections between dance studies and performance art as well as curatorial practice, feminisms, contemporary art theory and philosophy.