PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Gay Morris is a New York based dance and art critic whose work has appeared in numerous newspapers, magazines, and journals. She is the author of A Game for Dancers: Performing Modernism in the Postwar Years, 1945-1960, and is the editor of a collection, Moving Words, Rewriting Dance. Morris is the reviews editor of Dance Research Journal and a member of the editorial board of Congress on Research in Dance. Jens Richard Giersdorf is an Associate Professor of Dance at Marymount Manhattan College. He is author of The Body of the People: East German Dance since 1945, and his work has been anthologized internationally and his articles have appeared in a number of scholarly journals. Giersdorf is a member of the Editorial Boards of the Society for Dance History Scholars and the Congress on Research in Dance.
Rarely does an anthology of such global breadth in subject matter and methodological diversity attain the kind of coherence embodied here, one that demonstrates a truly thoughtful engagement with the topic. Rich with insight into the ways that choreography and war illuminate one another, these essays all make good on the editors' claim that all choreography is political. --Susan Leigh Foster, Distinguished Professor, UCLA As micro- and macro-theaters of war spread throughout the globe in all sorts of variations, the belligerent dynamics of our contemporaneity emerges as an apparently unstoppable force of mobilization. This timely and highly original anthology gathers an impressive array of international scholars and artists who not only analyze the onto-historical link between choreography and war, but reveal how dance and choreography keep creating counter-moves of resistance and alternatives for peace. --Andre Lepecki, New York University Rarely does an anthology of such global breadth in subject matter and methodological diversity attain the kind of coherence embodied here, one that demonstrates a truly thoughtful engagement with the topic. Rich with insight into the ways that choreography and war illuminate one another, these essays all make good on the editors' claim that all choreography is political. --Susan Leigh Foster, Distinguished Professor, UCLA As micro- and macro-theaters of war spread throughout the globe in all sorts of variations, the belligerent dynamics of our contemporaneity emerges as an apparently unstoppable force of mobilization. This timely and highly original anthology gathers an impressive array of international scholars and artists who not only analyze the onto-historical link between choreography and war, but reveal how dance and choreography keep creating counter-moves of resistance and alternatives for peace. --Andre Lepecki, New York University
US Navy Gun Destroyers 1945–88
Fletcher class to Forrest Sherman...
Paperback
$24.99
Not in-store but you can order this
