Chinese-Islamic Works of Art, 1644–1912

A Study of Some Qing Dynasty Examples

Emily Byrne Curtis

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English

Routledge
13 June 2022

Oriental art; History of art & design styles: c 1600 to c 1800; Islamic studies

Series: Routledge Research in Art History

Chinese-Islamic studies have concentrated thus far on the arts of earlier periods with less attention paid to works from the Qing Dynasty (1644-1912). This book focuses on works of Chinese-Islamic art from the late seventeenth century to the present day and bring to the reader’s attention several new areas for consideration.

The book examines glass wares which were probably made for a local Chinese-Muslim clientele, illustrating a fascinating mixture of traditional Chinese and Muslim craft traditions. While the inscriptions on them can be related directly to the mosque lamps of the Arab world, their form and style of decoration is characteristically that of Han Chinese. Several contemporary Chinese Muslim artists have succeeded in developing a unique fusion of calligraphic styles from both cultures. Other works examined include enamels, porcelains, and interior painted snuff bottles, with emphasis on either those with Arabic inscriptions, or on works by Chinese Muslim artists. The book includes a chapter written by Dr. Shelly Xue and an addendum written by Dr. Riccardo Joppert.

This book will appeal to scholars working in art history, religious studies, Chinese studies, Chinese history, religious history, and material culture.

By: Emily Byrne Curtis
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm,
Weight: 263g
ISBN: 9781032337548
ISBN 10: 1032337540
Series: Routledge Research in Art History
Pages: 144
Publication Date: 13 June 2022
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Emily Byrne Curtis is an independent scholar. She is the author of Glass Exchange between Europe and China, 1550-1800: Diplomatic, Mercantile, and Technological Interactions(Routledge 2009).

Reviews for Chinese-Islamic Works of Art, 1644–1912: A Study of Some Qing Dynasty Examples

While this book is certainly a useful tool for a specialist audience thanks to its expansive bibliography and rich references for further in-depth studies, it remains usable by anyone seeking information on Chinese artistic production's complex network of historical, commercial, and cultural intersections with the Islamic world. --CAA Reviews