Rachel Dein studied Fine Art at Middlesex University, then trained as a prop maker for the English National Opera and worked as a freelancer for 15 years at numerous theatres and museums, including Madame Tussauds, the Royal Opera House and Shakespeare's Globe in London. Throughout this time Dein continued to work on personal art projects. Having stopped freelancing to look after her three young children, she began casting small plaster tiles in her studio at home. Dein exhibited at a local gallery and immediately began getting commissions for her botanical bas-reliefs. Her art has been published in Elle Decoration, House & Garden, Vogue, Architectural Digest, Gardens Illustrated, Period Living, Country Life, The Daily Telegraph, Martha Stewart Living, The Irish Times and Gardenista. Recent books that feature her work include In Bloom, Cast and The Botanical Bible. Previous exhibitions include: The Cambridge Darkroom Gallery, Ben Uri Gallery, Hampstead School of Art and the Aga Khan Centre Gallery. Rachel has exhibited at the RHS Chelsea Flower Show in London for almost a decade. She was artist-in-residence for the National Trust's Hidcote Manor Gardens 2018-19 and Nunnington Hall 2022-23. Her website is www.racheldein.com.
""Since the earliest civilizations in China, ancient Egypt, and Minoan Crete, people have wanted to catch and keep the ephemeral beauty of the flowers that in nature fade too soon. Rachel Dein has devised, and practiced now for many years, a dazzling form of preservative art in which transient beauty is held for years to come at its moment of perfection. What she makes is that miraculous thing: the everlasting garden.""--Sarah Raven, author of A Year Full of Pots ""Casting Flowers tells the story of a fleeting moment of glory before each plant depicted has faded - their texture, pattern and delicacy rendered rich in the plaster casting.""--Sorrel Everton, Gardens Illustrated ""Whether in small tiles with a single flower portrait or large panels that suggest an entire garden full of blooms, Rachel Dein's botanical castings reflect her desire to capture the ephemeral. They track the progress of the seasons, marking the plants at the moment when they are most alive. It is as if she has distilled the flowers' essence into her tiles, each one the memory of nature itself.""--Ngoc Minh Ngo, author of Bringing Nature Home and In Bloom