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Cartoons in Hard Times

The Animated Shorts of Disney and Warner Brothers in Depression and War 1932-1945

Tracey Mollet (University of Leeds, UK)

$240

Hardback

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English
Bloomsbury Academic USA
19 October 2017
Choice Outstanding Academic Title 2018

Cartoons in Hard Times provides a comprehensive analysis of the short subject animation released by the Walt Disney and Warner Brothers from 1932 and 1945, one of the most turbulent periods in Unites States history. Through a combination of content analysis, historical understanding and archival research, this book sheds new light on a hitherto unexplored area of animation, suggesting the ways in which Disney and Warner Brothers animation engaged with historical, social, economic and political changes in this era.

The book also traces the development of animation into a medium fit for propaganda in 1941 and the changes in characters, tone, music and narrative that took place to facilitate this transition. Animation transformed in this era from a medium of entertainment, to a socio-political commentator before finally undertaking government sponsored propaganda during the Second World War.

By:  
Imprint:   Bloomsbury Academic USA
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   454g
ISBN:   9781501328770
ISBN 10:   1501328778
Pages:   216
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Hardback
Publisher's Status:   Active

Tracey Louise Mollet is a Lecturer in Media and Communication at the University of Leeds, UK.

Reviews for Cartoons in Hard Times: The Animated Shorts of Disney and Warner Brothers in Depression and War 1932-1945

Mollet offers a close study of those cartoons produced by Disney and Warner's beginning in 1930 with the outset of the Great Depression and concludes with the end of World War II in 1945. Her volume is expertly conceived, scrupulously researched, and smartly written, providing just the right balance between objective information and personal interpretation. This will immediately become the definitive study of this fascinating and unique niche in the history of Hollywood animation. Douglas Brode, author of From Walt To Woodstock: How Disney Created the Counterculture Offering balanced coverage of the short-form animations of both Walt Disney and Warner Brothers, between 1932 and 1945, Mollet provides a compelling account of how both studios gradually established the persuasive - and at times propagandistic - credentials of animation at a time of significant economic, social, and political transformation. By providing a detailed analysis of the themes, stories, and symbols found in these animated shorts, Mollet's book is sure to become a lasting reference point for readers wishing to learn more about how these films engaged with the prevailing issues of their time. Chris Pallant, Senior Lecturer, Canterbury Christ Church University, UK This an ambitious and tremendously thorough book which sheds light on some neglected areas of animation, in particular early Warners and Disney short cartoons. It will appeal both to students of animation and those interested in American popular culture between 1932 and 1945. It puts cartoons of this period in the context of wider historical events - in particular the depression, Roosevelt and the Second World War - and re-examines the role of animation in the overall history of Hollywood. It not only analyses these cartoons in depth, but also demonstrates the importance of animation in the field of propaganda. In doing all this It highlights some of the lesser known work of some America's pre-eminent animators, including Tex Avery, Bob Clampett, David Hand, Chuck Jones and Frank Tashlin. Dave Huxley, Senior Lecturer, Manchester Metropolitan University, UK


  • Winner of Choice Outstanding Academic Title 2019
  • Winner of Choice Outstanding Academic Title 2019 (United States)

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