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Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Tim Mohr is an award-winning translator of authors, including Alina Bronsky, Wolfgang Herrndorf, and Charlotte Roche. He has also collaborated on memoirs by musicians Gil Scott-Heron, Duff McKagan of Guns n' Roses, and Paul Stanley of KISS. His own writing has appeared in the New York Times Book Review, New York Magazine, and Inked, among other publications, and he spent several years as a staff editor at Playboy magazine, where he edited Hunter S. Thompson, John Dean, and Harvey Pekar, among others. Prior to starting his writing career he earned his living as a club DJ in Berlin.
A thrilling and essential social history that details the rebellious youth movement that helped change the world. --Rolling Stone Burning Down the Haus deftly chronicles the formation of East Germany's punk scene within a fragmented country under constant monitoring by a secret police agency, the Stasi. This is a work that encapsulates a particular musical world but, more crucially, shows how the society around it shaped the scene in idiosyncratic ways. --Pitchfork Gripping. --Billboard Remarkable . . . revelatory . . . amazing. --Longreads Original and inspiring . . . Mr. Mohr has writ-ten an im-por-tant work of Cold War cul-tural his-tory. --The Wall Street Journal Lively . . . Compelling . . . A front-row seat to the events of the '80s. This take on punk evolution is engaging, enlightening, and well worth checking out. --Publishers Weekly, starred review Translator, editor, and former Berlin DJ Mohr energetically details the origins of East German punks . . . Mohr tells a frantic and exciting true story of music versus dictatorship, and the infamous wall it helped bring down. --Booklist, starred review An appealing, lively cultural history worth reading in an era of corporate punk nostalgia. --Kirkus Reviews Incendiary . . . Compulsively readable and beautifully researched, Burning Down the Hausrecords the critical role that punks played in the Ger-man resistance movements of the 1980s, up to and beyond the fall of the Berlin Wall in 1989 . . . inspiring. --BookPage Mohr takes readers on a fascinating trip through the 1980s, focusing on East German teenagers that embraced the punk lifestyle and ultimately would play a role in the fall of the Berlin Wall. Mohr is a great storyteller and manages to make history read like you are there directly witnessing it. --The Hype Magazine Burning Down the Haus is not just an immersion into the punk rock scene of East Berlin, it's the story of the cultural and political battles that have shaped the world we live in today. Tim Mohr delivers the soundtrack for the revolution that we've all been waiting for. --DW Gibson, author of The Edge Becomes the Center: An Oral History of Gentrification in the Twenty-First Century In East Germany, where non-conformity meant jail time, punks' ripped clothes and spiked hair were a show of courage and defiance. Squatting in derelict apartments and burning their lyrics before the secret police could get ahold of them, these teenagers wrote the soundtrack for a rebellion that helped bring down the Berlin Wall. Tim Mohr tells the story of their DIY revolution with the thoroughness of a historian and the panache of a cultural insider. Burning Down the Haus is a riveting cultural history that also serves as a rallying call against authoritarianism everywhere. --Ruth Franklin, author of the NBCC Award-winning Shirley Jackson: A Rather Haunted Life Equal parts terrifying and exhilarating, Burning Down the Haus is a fabulously alive history of punk rock behind the Iron Curtain, where simply dressing like a punk could get you hauled in by Stasi, the dreaded East German secret police. Mohr ties the fearless music-driven resistance to authoritarianism and mass surveillance in the 1980s to our current fraught times, showing how even the most formidable forms of oppression can be shaken by highly motivated, creative kids with riotous rage and a driving beat. A thrilling, inspiring read. --Rob Spillman, editor of Tin House and author of All Tomorrow's Parties You say you want a revolution? Tim Mohr's spellbinding Burning Down the Haus reveals how a bunch of young East German punks in the 1980s made their wild music into a clarion loud enough to topple the Berlin Wall. With a sharp eye for the prosaic brutality of the repressive state and an ear locked on the furies in the music, Mohr has crafted an unforgettable story that is part cultural history, part political thriller and entirely true. --Peter Ames Carlin, author of Homeward Bound: The Life of Paul Simon Berlin has always been a crazy city, and a dramatic stage for the epic struggle between powerful ideological forces and the individual desire to be free. In case you weren't sure just how political music, fashion, and a certain attitude can be: read this book. Burning Down the Haus is wonderful. --Norman Ohler, author of Blitzed This is a crazily inspiring, strange, beautiful story that deserves to be remembered, and Mohr is a wonderfully compassionate writer. What a combination! --Johann Hari, New York Times bestselling author of Chasing the Scream and Lost Connections The best punk book since Please Kill Me. --Legs McNeil, author of Please Kill Me: The Uncensored Oral History of Punk Tim Mohr's book details a fascinating period of time in the history of punk music. I am so glad he documented that moment in history for punk rock and for the world. --Greg Graffin, singer/songwriter for Bad Religion and author of Population Wars and Anarchy Evolution The true story of how teenage kicks turned into political opposition. With meticulous research and impassioned prose, Tim Mohr brings to life the saga of a bunch of East German punk rock kids who broke the state that wanted to break them. A book to warm an old punk's heart. --Claire Dederer, author of Love and Trouble PRAISE FOR THE GERMAN EDITION OF BURNING DOWN THE HAUS A wonderful book. --Berliner Zeitung A historical drama that takes your breath away. --Neustadt-Gefluester (Dresden) Mohr digs into the subject of East German punk like nobody before. --Rolling Stone Germany Cinematic...Makes the reader feel a witness to the events . . . A lively, enthralling adventure story; the tone combines a dramatic Hollywood epic with a meticulous documentary. --Falter (Vienna) You get taken in quickly, and just as quickly you have a lively image of the situation . . . The storytelling style is like having a movie in your head. --Lutz Schramm (German radio personality) A wonderful, atmospheric look at a hidden world. --Classic Rock