A collection of previously unpublished postcards from the former
Eastern Bloc - sinister, funny, poignant and surreal, they depict the
social and architectural values of the period.
Brutal concrete hotels, futurist TV towers, heroic worker statues - this collection
of Soviet era postcards documents the uncompromising landscape of the Eastern
Bloc through its buildings and monuments. They are interspersed with quotes from
prominent figures of the time, that both support and confound the ideologies
presented in the images.
In contrast to the photographs of a ruined and abandoned Soviet empire we are
accustomed to seeing today, the scenes depicted here publicise the bright future of
communism: social housing blocks, Palaces of Culture and monuments to Comradeship.
Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into
social and architectural values of the time, acting as a window through which we can
examine cars, people, and of course, buildings. These postcards, sanctioned by the
authorities, intended to show the world what living in communism looked like.
Instead, this postcard propaganda inadvertently communicates other messages:
outside the House of Political Enlightenment in Yerevan, the flowerbed reads 'Glory to
the Communist Party of the Soviet Union'; in Novopolotsk, art school pupils paint plein
air, their subject is a housing estate; at the Irkutsk Polytechnic Institute students stroll
past a five metre tall concrete hammer and sickle.
By:
FUEL, Damon Murray, Stephen Sorrell Foreword by:
Jonathan Meades Imprint: Fuel Country of Publication: United Kingdom Dimensions:
Height: 160mm,
Width: 200mm,
Weight: 600g ISBN:9780995745520 ISBN 10: 0995745528 Pages: 192 Publication Date:01 September 2018 Audience:
General/trade
,
ELT Advanced
Format:Hardback Publisher's Status: Active
Reviews for Brutal Bloc Postcards: Soviet era postcards from the Eastern Bloc
In rather stark contrast to the documentation of Soviet architecture commonly showcased today, this surreal collection of images consists of scenes depicting what was considered the bright future of Communism.--Milly Burroughs AnOther Magazine