PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
Already an acclaimed poet, with ten volumes of poetry to her name, Eva Baltasar's debut novel Permafrost received the 2018 Premi Llibreter from Catalan booksellers, was an Indie Next choice from American booksellers and was shortlisted for France's 2020 Prix Medicis for Best Foreign Book. Boulder won the prestigious Omnium Prize for the Best Catalan Novel of 2020. The author lives a simple life with her wife and two daughters in a Catalonian village near the mountains. Julia Sanches translates from Portuguese, Spanish, and Catalan. Among her translations are Slash and Burn by Claudia Hernandez, for which she won a PEN/Heim award, as well as works by Noemi Jaffe, Daniel Galera, and Geovani Martins. She is a founding member of the Cedilla & Co. translators' collective, and lives in Providence, Rhode Island.
'Boulder's action spans more than eight years, but the reader never feels the passage of that time . . . Everything here has an air of immediacy, yet at the same time one has the feeling that there are abysses yawning between every short sentence, ellipses that expand and beg to be filled in by the reader's own imagination. Boulder is a work of incandescent, volcanic brevity and density.' Nuvol ----'Opposed to all family ties, and jealous of her partner's child, our narrator refuses to resign herself to her new role of secondary character in her own story, and lashes out by drinking and engaging in clandestine sex with other women, much as would a character in a Charles Bukowski story (an author with whom Baltasar shares more than one stylistic affinity). With Boulder, Eva Baltasar goes beyond Permafrost, to the point that, as with Gillian Flynn's antiheroines, or the anti-superheroine Jessica Jones, the new femininity evokes the old masculinity.' El Periodico ----'Eva Baltasar amazed me last year [with Permafrost], and my conversion has been now been completed.' Libros y Literatura ----'In her second novel, Baltasar continues to work on her approach to the body, seen as the very substance of storytelling. Around bodies, considered both as sexual objects and as the medium through which our feelings must be expressed, she is building anew a language by which human beings may, in our era, be able to approach one another.' Zenda libros ---'Baltasar returns with the same expressiveness and lyricism as in Permafrost, but with a new complexity in her characters, addressing such vital issues such as motherhood and our increasing inability to communicate with one another - an epidemic in our era.' Valencia Plaza
