Borealis

An extraordinary experience! The place Borealis takes us to is lodged within a vivid consciousness. Here, the environment is populated by memories of lovers and strangers with guns. Letters from prison arrive in this place, and confinement haunts its wide margins. The soundtrack fades in and out, art is found and made. A landscape has never felt so real to me, so like life. -Eula Biss Praise for Dreaming of Ramadi in Detroit Winner of the 2018 CLMP Firecracker Award for Creative Nonfiction Though it's hard to narrow down my choices in nonfiction, I can tell you that I put down Aisha Sabatini Sloan's Dreaming of Ramadi in Detroit and instantly wanted to pick it up again. The intelligence and expansiveness of this book of essays astounded me. -Camille Dungy She's a master time-bender. Her essay 'D is for the Dance of the Hours,' which I particularly love, is set in contemporary Detroit but begins in her father's childhood. Throughout that essay Detroit today is joined, by metaphor, to a centuries-old history of opera. The essay moves across one day in Detroit, but pulls that day toward the past in a way that stretches time and reminds the reader that the past, both near and far, is always present, always palpable in our day-to-day lives. -Eula Biss, Literary Hub Dreaming of Ramadi in Detroit is an otherworldly meditation on the elasticity of memory, the liveliness of blackness, and possibilities of the essay. Aisha Sabatini Sloan manages to produce a collection of essays that are at once innovative, inspiring, sobering, and absolutely terrifying while daring every other essayist in the country to catch up. -Kiese Laymon Dreaming, exploring, probing, confessing, Aisha Sabatini Sloan is always on the move. She crosses borders, turns fixed states of mind and heart into fresh sites of possibility and mystery. Those vast charged realities-race, class, gender, geography-become particular here, casting light and shadow on each other in startling ways. This is a luminous book. -Margo Jefferson I'm so impressed by the critical lucidity of Aisha Sabatini Sloan's Dreaming of Ramadi in Detroit. Essay by essay, paragraph by paragraph, sometimes even sentence by sentence, Sloan roves, guided by a deliberate, intelligent, associative logic which feels somehow both loose and exact, at times exacting. The implicit and explicit argument of these essays is that there's no way out but through-and maybe even no way out. So here we are, so lucky to have Sloan as our patient, wry, questing companion and guide. -Maggie Nelson Praise for The Fluency of Light: Coming of Age in a Theater of Black and White One of the most original, startling memoirs I have seen in the past ten years, Sabatini Sloan's The Fluency of Light charts an entirely fresh course through the tangled territory of race and class in modern-day America. Each page offers fresh insight, unexpected information, crystal-clear thinking on the current cultural moment-a nation about to turn more brown than white, more mixed than 'pure.' -Dinty W. Moore The Fluency of Light makes a very valuable contribution to the literature of mixed-race identity in America. . . . She doesn't pretend to have any solutions to the entrenched (because entirely visual) nature of racial separation, but the way she keeps going, herself, as a photographer, throughout the story underscores the message that doing art is essential to survival. -Fanny Howe