Blood Wedding

Federico Garcia Lorca, Prof Gwynne Edwards, Prof Gwynne Edwards , Prof Gwynne Edwards

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English

Methuen Drama & Non Fict.
01 May 2007

Series: Student Editions

Blood Wedding is set in a village community in Lorca's Andalusia, and tells the story of a couple drawn irresistibly together in the face of an arranged marriage. This tragic and poetic play is the work on which his international reputation was founded.

Like many of Lorca's passionate and intensely lyrical plays that focus on peasant life and the forces of nature, Blood Wedding combines innovatory dramatic technique with Spanish popular tradition.

Methuen Drama Student Editions are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text of the play itself, the volume contains a chronology of the playwright's life and work; an introduction giving the background to the play; a discussion of the various interpretations; notes on individual words and phrases in the text; and questions for further study.

By: Federico Garcia Lorca, Prof Gwynne Edwards
Introduction by: Prof Gwynne Edwards
Translated by: Prof Gwynne Edwards
Imprint: Methuen Drama & Non Fict.
Country of Publication: United Kingdom
Dimensions: Height: 198mm, Width: 129mm, Spine: 10mm
Weight: 136g
ISBN: 9780713685169
ISBN 10: 0713685166
Series: Student Editions
Publication Date: 01 May 2007
Audience: College/higher education , A / AS level
Format: Paperback
Publisher's Status: Active

Reviews for Blood Wedding

'Lorca is one of the few indisputably great dramatists of the twentieth century' Observer 'Lorca's great poetic play - the first of his ground-breaking folk trilogy of Spanish Life' Lyn Gardner, Guardian, 30.7.09 'Lorca's drama of forbidden passion, family feud and devouring maternal love and grief is succulent with symbolism' Sam Marlowe, The Times, 30.7.09 'Federico Garcia Lorca's Spanish love-and-death masterpiece...mixes up the rough and tumble of Andalucian peasant realism with surrealist images and stiff poetic formalism' Siobhan Murphy, Metro (London), 29.7.09