Leonora Nattrass studied eighteenth-century literature and politics, and spent ten years as an English Literature lecturer, including eight at Nottingham Trent University. During this time she published several works on William Cobbett, and was a reviewer for The Year's Work in English Studies journal. She then moved to Cornwall, where she lives in a seventeenth-century house with seventeenth-century draughts, and spins the fleeces of her traditional Ryeland sheep into yarn. Black Drop is her first novel.
Black Drop is a joy from start to finish. I particularly liked the glimpses of the grubby machinery of government from the inside, giving a real sense of the intrigues behind closed doors. Jago is a very sympathetic hero, with all his flaws, virtues and secrets, and Philpott made me want to smile and cheer -- Andrew Taylor, author of The Ashes of London A gripping, intricate story of Georgian high politics and low life. Leonora Nattrass's historical spy novel is top notch -- W.C. Ryan, author of A House of Ghosts A riveting political thriller, set at a fulcrum-point in global history. The setting is viscerally immersive and the characters spring to life from the page. This masterful narrative of deception, intrigue and heroism unfolds with compelling pace, wry humour and acute psychological observation. Gripping, moving and utterly engaging -- Philippa East, author of Little White Lies A thrilling slice of pitch-dark historical fiction, led by a superbly engaging narrator. Entertaining and deftly written, this gripping tale of murder and treachery on the smouldering streets of eighteenth-century London deserves to be huge -- Emma Stonex, author of The Lamplighters Lovers of historical thrillers have a treat in store. A splendid twisting tale of murder and espionage at the political heart of Georgian Britain -- Kate Griffin, author of Kitty Peck and the Music Hall Murders In Black Drop Leonora Nattrass has done that most dangerous thing: allowed fictional characters to mingle with real ones. I'm far too cowardly to do that in my writing, but she has pulled it off. Well written and well constructed, and Jago is a character readers will certainly want to follow -- Alix Nathan, author of <i>The Warlow Experiment</i> A sparkling evocation of a distant time which is remarkably similar to the current one. I loved it. The sights, smells and eccentricities of eighteenth-century Britain are so perfectly captured that if you'd told me this was one of Dickens' lost novels I'd have completely believed it. Other fictional worlds are going to seem a lot greyer in comparison -- Trevor Wood, author of <i>The Man on the Street</i> Leonora Nattrass brings Georgian London vividly to life in a delectable dose of secrets, lies and sinister skullduggery. Take care not to swallow this tincture of intrigue in a single sitting! -- D.V. Bishop, author of <i>City of Vengeance</i> This opium-fuelled gem is a murderous romp through the tangled roots of British democracy -- Janice Hallett, author of <i>The Appeal</i> Nattrass writes so beautifully. Absolutely compelling, and so atmospheric I felt I was there, following Jago around the mean streets of eighteenth-century London -- Frances Quinn, author of <i>The Smallest Man</i> A darkly atmospheric and utterly immersive tale. Black Drop is a thrilling, revolutionary ride through the coffee houses and committee rooms of a corrupt and fearful city. Grab your hat and pipe and keep your pistols at the ready! -- Miranda Malins, author of <i>The Puritan Princess</i> Superb. Nattrass convincingly recreates eighteenth-century London as a backdrop for spies, murders, and a skilful blend of historic and imagined characters. Vivid and fast-paced, it's an impressive achievement, and hugely enjoyable -- Guy Morpuss, author of <i>Five Minds</i> An astounding debut novel, written with style and confidence -- A.J. West, author of <i>The Spirit Engineer</i>