Black British Women's Theatre

Intersectionality, Archives, Aesthetics

Nicola Abram

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English

Springer Nature Switzerland AG
13 October 2020

Theatre Studies; Theatre: individual actors & directors; Theatre direction & production; History: specific events & topics

This book marks a significant methodological shift in studies of black British women’s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals’ personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice.

Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women’s Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green.

Drawing on new interviews with the playwrights/practitionersand their peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women’s creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women’s Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past.

By: Nicola Abram
Imprint: Springer Nature Switzerland AG
Country of Publication: Switzerland
Edition: 2020 ed.
Dimensions: Height: 210mm, Width: 148mm,
Weight: 520g
ISBN: 9783030514587
ISBN 10: 3030514587
Pages: 264
Publication Date: 13 October 2020
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Nicola Abram is Lecturer in Literatures in English at the University of Reading, UK. She has previously published on plays by debbie tucker green, Helen Oyeyemi, and Winsome Pinnock, and on the history of black British and British Asian arts collectives.