This book examines how early twentieth-century Black theatre artists depicted national mythologies of the United States.
White-authored pageants and plays written for the 1932 Bicentennial celebration of George Washington’s birthday relegated Black Americans to the periphery through racist stereotyping. Black activists Mary Church Terrell and W. E. B. Du Bois seized the opportunity to place Black people at center stage and to revise contemporary views of Washington and of Black achievement. Terrell’s Historical Pageant-Play Based on the Life of Phyllis Wheatley and Du Bois’s George Washington and Black Folk dramatize how the achievements of Black men and women fit into the US origin story. Terrell’s script is a biography of the life of the enslaved African poet Phillis Wheatley; Du Bois’s pageant is a transgressive revision of the Washington myth.
The book’s chapters contextualize these plays within the larger Bicentennial event. O’Malley also includes her edited version of Terrell’s script, published here for the first time.
This interdisciplinary book will be a valuable resource for college and university courses in American theatre and performance studies, Black Studies, and Women’s Studies.
By:
Lurana Donnels O’Malley Imprint: Routledge Country of Publication: United Kingdom Dimensions:
Height: 234mm,
Width: 156mm,
Weight: 680g ISBN:9781032360935 ISBN 10: 1032360933 Series:Routledge Advances in Theatre & Performance Studies Pages: 272 Publication Date:11 July 2025 Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format:Hardback Publisher's Status: Active
PART ONE: Historical Background & Critical Analyses Chapter 1: Washington Conscious: The George Washington Bicentennial of 1932 Chapter 2: Idealizing Washington: Portrayals of an Enslaver Chapter 3: Black Voices and the Bicentennial: Performances By and For Black Citizens Chapter 4: Visions of Washington in DC: Three White-Authored Bicentennial Performances Chapter 5: Terrell Chooses Wheatley: The Creation of the Wheatley Pageant-Play Chapter 6: The Trials of Mary Church Terrell: The Production of the Wheatley Pageant-Play Chapter 7: Du Bois and the Bicentennial Crisis: George Washington and Black Folk Chapter 8: Conclusion PART TWO: Edited Script Chapter 9: Historical Pageant-Play Based on the Life of Phyllis Wheatley by Mary Church Terrell
Lurana Donnels O’Malley is Professor Emerita in Theatre and Dance at the University of Hawaiʻi at Mānoa, USA, where she taught in the areas of Euro-American theatre history, research, and directing from 1991 to 2025.