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English
Harvard Uni.Press Academi
03 January 1986
Biophilia is Edward O. Wilson's most personal book, an evocation of his own response to nature and an eloquent statement of the conservation ethic. Wilson argues that our natural affinity for life-biophilia-is the very essence of our humanity and binds us to all other living species.
By:  
Imprint:   Harvard Uni.Press Academi
Country of Publication:   United States
Edition:   New edition
Dimensions:   Height: 232mm,  Width: 133mm,  Spine: 13mm
Weight:   181g
ISBN:   9780674074422
ISBN 10:   0674074424
Pages:   176
Publication Date:  
Audience:   Professional and scholarly ,  College/higher education ,  Professional and scholarly ,  Undergraduate ,  Primary
Format:   Paperback
Publisher's Status:   Active
*1. Prologue *2. Bernhardsdorp *3. The Superoganism *4. The Time Machine *5. The Bird of Paradise *6. The Poetic Species *7. The Serpent *8. The Right Place *9. The Conservation Ethic *10. Surinam * Reading Notes * Acknowledgments

Edward O. Wilson is Pellegrino University Professor, Emeritus, at Harvard University. In addition to two Pulitzer Prizes (one of which he shares with Bert Holldobler), Wilson has won many scientific awards, including the National Medal of Science and the Crafoord Prize of the Royal Swedish Academy of Sciences.

Reviews for Biophilia

A collection of contemplative essays that displays the father of sociobiology as a fine stylist and writer about nature. Biophilia is a bit of affectation by a man given to coinages; by it Wilson means humankind's abiding (genetic) association/attraction/love for living things, as opposed to inorganic matter. This Shakespearean theme of one touch of nature makes the whole world kin dominates the essays. The opener is a reminiscence of a day in Surinam, early in Wilson's career, which permits him to enlarge on the theme of symbiosis in ants, on the richness of the naturalist's terrain, as well as to recollect the entomological discoveries of that particular day. A natural follow-up on leafcutter ants describes the clockwork organization of this superorganism Then come essays on evolution (with some particulars on Agassiz versus Darwin), and excursions into the nature of discovery and process in art and in science. The Serpent has Wilson venturing into myth and symbol. Fear of snakes is well-nigh universal, he declares, based on their threat in nature; but the fear is in part learned, because children don't instictively react. Wilson himself overcame fear to become a teenage snake collector in the Florida panhandle, and there are some vivid, lyrical memories of encounters with snakes and other creatures. ( On soft spring nights after heavy rains a dozen varieties of frogs croaked, rasped, bonged, and trilled their love songs in mixed choruses. ) The final essays are devoted to habitat and conservation. Wilson shares a notion - held by Yi-Fu Tuan and Rene Dubos, among others - that human beings unconsciously clamor for a water's edge, a hilltop, a grassy plain, and clumps of trees that bespeak human beginnings in the African savannahs. The Conservation Ethic is an appeal to save dwindling species, made on the selfish basis that they can be for human benefit, which ultimately calls for stewardship, not mastery, over nature. The last essay is a sad and shocking commentary on Surinam today, under the heels of a particularly barbarous dictator. Unexpected and undogmatic: one hopes to hear more of Wilson in this new voice. (Kirkus Reviews)


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