Binding the Absent Body in Medieval and Modern Art: Abject, virtual, and alternate bodies

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Emily Kelley (Saginaw Valley State University, USA) Elizabeth Richards Rivenbark

Binding the Absent Body in Medieval and Modern Art

Abject, virtual, and alternate bodies

Emily Kelley (Saginaw Valley State University, USA), Elizabeth Richards Rivenbark

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English

Routledge
21 October 2016

History of art: Byzantine & Medieval art; History of art & design styles: from c 1900 -

This collection of essays considers artistic works that deal with the body without a visual representation. It explores a range of ways to represent this absence of the figure: from abject elements such as bodily fluids and waste to surrogate forms including reliquaries, manuscripts, and cloth. The collection focuses on two eras, medieval and modern, when images referencing the absent body have been far more prolific in the history of art. In medieval times, works of art became direct references to the absent corporal essence of a divine being, like Christ, or were used as devotional aids. By contrast, in the modern era artists often reject depictions of the physical body in order to distance themselves from the history of the idealized human form. Through these essays, it becomes apparent, even when the body is not visible in a work of art, it is often still present tangentially. Though the essays in this volume bridge two historical periods, they have coherent thematic links dealing with abjection, embodiment, and phenomenology. Whether figurative or abstract, sacred or secular, medieval or modern, the body maintains a presence in these works even when it is not at first apparent.

Edited by: Emily Kelley (Saginaw Valley State University USA), Elizabeth Richards Rivenbark
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm, Spine: 18mm
Weight: 657g
ISBN: 9781472459367
ISBN 10: 1472459369
Pages: 200
Publication Date: 21 October 2016
Audience: College/higher education , College/higher education , A / AS level , Further / Higher Education
Format: Hardback
Publisher's Status: Active

Emily Kelley is Associate Professor of Art History at Saginaw Valley State University. Her research examines mercantile patronage in late medieval Spain. She has published in the Journal of Medieval Iberian Studies and the Hispanic Research Journal. She is co-editor of Mendicants and Merchants in the Medieval Mediterranean (Brill, 2013). Elizabeth Richards Rivenbark is Associate Professor of Art History at the University of South Alabama. She has published essays on American art in the nineteenth through twenty-first centuries with special interests in gender studies, war imagery, and the body. Her essays appear in Artibus et Historiae, the Women’s Art Journal, and The SECAC Review.