Dr Anita Heiss is an award-winning author of non-fiction, historical fiction, commercial women's fiction, children's novels and blogs. She is a proud member of the Wiradjuri Nation of central New South Wales, an Ambassador for the Indigenous Literacy Foundation, the GO Foundation and Worawa Aboriginal College. Anita is a board member of University of Queensland Press and Circa Contemporary Circus, and is a Professor of Communications at the University of Queensland. As an artist in residence at La Boite Theatre in 2020, Anita began adapting her novel Tiddas (S&S, 2014) for the stage. Her novel Barbed Wire and Cherry Blossoms (S&S, 2016) set in Cowra during World War II, was the 2020 University of Canberra Book of the Year. Anita enjoys eating chocolate, running and being a 'creative disruptor'.
'There are books you encounter as an adult that you wish you could press into the hands of your younger self. Bila Yarrudhanggalangdhuray is one of those books - a novel that turns Australia's long-mythologised settler history into a raw and resilient heartsong.' -- <I><B>The Guardian</B></I> 'A heartfelt story of colonisation and its negative effects ... A powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.' -- <I><B>Canberra Times</B></I> 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' -- <I><B>Saturday Paper</B></I> 'Celebrating family, love, and connection to the land, Bila Yarrudhanggalangdhuray is a profoundly moving showcase of Heiss' skill for crafting stories and relationships ... A novel that is intimate, reflective, and impossible to put down.' -- <B>The AU Review</B> 'A powerful story of family, place and belonging.' -- <B>Kate Grenville, author of <I>A Room Made of Leaves</I></B> 'Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.' -- <B>Melissa Lucashenko, author of <I>Too Much Lip</I></B> 'A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page of this novel.' -- <B>Tony Birch, author of <I>The White Girl</I></B> 'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' -- <B>Dr Terri Janke</B> 'Lyrical and tender, Anita Heiss's Bila Yarrudhanggalangdhuray tells a story of courage, connection and belonging which is both universal and deeply personal, with the river singing through every page. A grand achievement and destined to be read for a long time to come.' -- <B>Meg Keneally, author of <I>Fled</I> and <I>The Wreck</I>.</B> 'Epic storytelling with a deep warmth at its heart ... This story will stay with me forever.' -- <B>Pamela Hart, author of <I>The Charleston Scandal</I></B> 'Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.' -- <B>Larissa Behrendt</B> 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.' -- <B>Kate Forsyth, author of <I>The Blue Rose</I></B> 'Anita Heiss is an incredibly masterful stroyteller; weaving song, language and history into an epic tale of love, loss and belonging ... my favourite of Heiss' novels!' -- <B>Better Read than Dead</B> 'Far more relevant than a library bulging with Greenes and Hemmingways, Heiss's book is as pulsing as the river that runs through it ... A romance, a history lesson, a language study and a rollicking read all in one.' * <I><B>Courier Mail</B></I> *