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Bergson and Durational Performance

(Re)Ma(r)king Time

James Layton (University of the West of Scotland)

$223.95

Hardback

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English
Intellect Books
27 January 2023
An interrogation of Henri Bergson’s philosophy of duration through the lens of performance.

Humans have always marked time, whether by tracing the earth’s natural rhythms or looking at a clock. Unlike pre-industrial people, living in an age of social acceleration is dominated by clock time and network time, presenting many more options than can be achieved in a human lifespan.

This book explores the possibility of an alternative experience of time, one closer to the concept of pure duration described by philosopher Henri Bergson. Connecting Bergson’s thought with key ideas from psychology and anthropology, the discussions in this book contribute to contemporary performance analysis, philosophy, and Bergson studies and explore aspects of immersive and participatory performance, walking practices, and ritual and online performance. Using durational performances as case studies, James Layton offers new insights into Bergson’s philosophy alongside the work of key theorists in psychology and anthropology. Through a series of performance analyses, Bergson’s philosophy of duration is coupled with ideas from Abraham Maslow, Mihaly Csikszentmihalyi, and Victor Turner to speculate on the potential of durational performance to challenge living in a world in which time is short, but the possibility of experience is abundant.

By:  
Imprint:   Intellect Books
Country of Publication:   United Kingdom
Edition:   New edition
Dimensions:   Height: 244mm,  Width: 170mm,  Spine: 17mm
Weight:   680g
ISBN:   9781789386226
ISBN 10:   1789386225
Pages:   290
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

James Layton is a lecturer in performance at the University of the West of Scotland. His areas of research interest include time and performance, arts and health and creative pedagogies.

Reviews for Bergson and Durational Performance: (Re)Ma(r)king Time

'Layton’s world of references is very rich, both in terms of referring to important theorists and disciplines when discussing a particular notion, as well as in terms of associating complex theoretical arguments to everyday contemporary and popular issues. [...] One cannot help but appreciate Layton’s explicit recognition of his and the book’s limitations, his elaborate discussion of what on the surface might appear as paradoxical statements, his step-by-step exploration of very complex ideas, his mastery at defining a clear framework around his discussions and about his approach. Layton’s arguments also offer very accessible insights not only on Bergson’s philosophy but on other issues in contemporary performance as well as on the performances discussed in the second part as case studies. This is a must read for those interested in making or consuming durational performance.' -- Ayşe Draz Orhon, Journal of Theatre Criticism and Dramaturgy


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