Bahlabelelelani – Why Do They Sing?: Gender and Power in Contemporary Women’s Songs

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Nompumelelo Zondi

Bahlabelelelani – Why Do They Sing?

Gender and Power in Contemporary Women’s Songs

Nompumelelo Zondi

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English

Routledge
06 May 2025

Language: history & general works; Sociolinguistics; Regional studies; Gender studies: women; Sociology

Indigenous societies, steeped in patriarchy, have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not commonly be able to say.

This book focuses on the nature of women’s contemporary songs in the rural community of Zwelibomvu, near Pinetown in KwaZulu-Natal. It aims to answer the question ‘Bahlabelelelani – Why do they sing?’, drawing on several discourses of gender and power to examine the content and purposes of the songs. Restricted by custom, women resort to allusive languages, such as found in ukushoza, a song genre that includes poetic elements and solo dance songs. The songs, when read in conjunction with the interviews and focus group discussions, present a complex picture of women’s lives in contemporary rural KwaZulu-Natal, and they offer their commentary on what it means to be a woman in this society.

By: Nompumelelo Zondi
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 229mm, Width: 152mm,
Weight: 330g
ISBN: 9781032630861
ISBN 10: 1032630868
Pages: 180
Publication Date: 06 May 2025
Audience: General/trade , College/higher education , ELT Advanced , Primary
Format: Paperback
Publisher's Status: Active

Nompumelelo Zondi is Associate Professor and Head of the Department of African Languages at the University of Pretoria.

Reviews for Bahlabelelelani – Why Do They Sing?: Gender and Power in Contemporary Women’s Songs

‘Seziyosengwa yinkehli! (There is power in a woman’s voice). This inspiring book by a woman writer gives other women a platform to tell their stories in the best African way possible – ngomculo (through music).’ — Boni Zungu, Senior Lecturer: African Languages, University of the Witwatersrand