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Baggy Pants Comedy

Burlesque and the Oral Tradition

A. Davis

$92.95   $78.80

Hardback

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English
Palgrave Macmillan
03 November 2011
The first full-length study of comedy on the burlesque stage, this book takes the reader inside the burlesque houses of the 1930s, looks at the role comedy played in an entertainment form known mostly for striptease, and explores how these sketch performers approached their craft.

By:  
Imprint:   Palgrave Macmillan
Country of Publication:   United Kingdom
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 23mm
Weight:   586g
ISBN:   9780230116795
ISBN 10:   0230116795
Series:   Palgrave Studies in Theatre and Performance History
Pages:   288
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Andrew Davis is Adjunct Assistant Professor at Otis College of Art and Design, USA.

Reviews for Baggy Pants Comedy: Burlesque and the Oral Tradition

Davis has succeeded in writing a definitive history of burlesque comedy in America. Well written and intelligently critiqued, this is a very timely book because there has been a revival of burlesque itself. Davis knows this field better than anyone. - Lawrence E. Mintz, Associate Professor Emeritus, American Studies, University of Maryland<br> An impressive document. It is accessible, enjoyable, and highly readable, while fully exploring and explaining the historical, cultural, and mechanical complexities of raucous burlesque comedy. Davis has rescued an art form - the art of Abbott & Costello and countless other comedy greats - from slipping into cultural anonymity. - Andrew L. Erdman, author of Blue Vaudeville <br> Davis has gone well beyond peeling back and revealing historical and technical specifics of burlesque comedy and has forged an invaluable work of desired reading for comics, comedians, and clowns. - Hovey Burgess, Master Teacher of Circus, New York University and Dramaturg, Circus Flora<br> Both funny and informative. He writes about the old-style shticks, bits, and routines as if he were dancing in front of you. Or maybe better yet, alongside of you. He brings this lost world to life in a vivid and memorable way. - Rachel Shteir, Associate Professor of Dramaturgy and Dramatic Criticism, DePaul University and author of Striptease: The Untold History of the Girlie Show <br>


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