Automated Media

Mark Andrejevic (Monash University, Melbourne, Australia)

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Hardback

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English

Routledge
04 October 2019

Cultural studies; Media studies; Sociology; Political structure & processes; Political campaigning & advertising

"In this era of pervasive automation, Mark Andrejevic provides an original framework for tracing the logical trajectory of automated media and their social, political, and cultural consequences.

This book explores the cascading logic of automation, which develops from the information collection process through to data processing and, finally, automated decision making. It argues that pervasive digital monitoring combines with algorithmic decision making and machine learning to create new forms of power and control that pose challenges to democratic forms of accountability and individual autonomy alike. Andrejevic provides an overview of the implications of these developments for the fate of human experience, describing the ""bias of automation"" through the logics of pre-emption, operationalism, and ""framelessness.""

Automated Media is a fascinating and groundbreaking new volume: a must-read for students and researchers of critical media studies interested in the intersections of media, technology, and the digital economy."

By: Mark Andrejevic (Monash University Melbourne Australia)
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 229mm, Width: 152mm,
Weight: 376g
ISBN: 9780367196592
ISBN 10: 036719659X
Pages: 172
Publication Date: 04 October 2019
Audience: College/higher education , Primary , A / AS level
Format: Hardback
Publisher's Status: Active

Mark Andrejevic is Professor of Media Studies at Monash University where he heads the Automated Society Working Group in the School of Media, Film and Journalism. He is the author of Infoglut: How Too Much Information Is Changing the Way We Think and Know, iSpy: Surveillance and Power in the Interactive Era; and Reality TV: The Work of Being Watched, as well as numerous journal articles and book chapters on surveillance, popular culture, and digital media.