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English
Bloomsbury Academic
06 April 2023
In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais’s Van Gogh (1948), Henri-Georges Clouzot’s Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.

Edited by:   , , , ,
Imprint:   Bloomsbury Academic
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
ISBN:   9781350357518
ISBN 10:   1350357510
Pages:   256
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active

Steven Jacobs is Associate Professor at Ghent University and the University of Antwerp, Belgium. He is an art historian specializing in the relations between film and the visual arts – a topic on which he published widely. Dimitrios Latsis is Assistant Professor of Film Studies at the School of Image Arts of Toronto Metropolitan University, Canada. He has published widely in the fields of American visual culture, historiography and theory and cinema and archival studies. Birgit Cleppe is a doctoral researcher in the Department of Art History, Ghent University, Belgium. She also teaches history of architecture at KASK & Conservatorium in Ghent, Belgium.

Reviews for Art in the Cinema: The Mid-Century Art Documentary

"This remarkable book charts the development, as well as the public and critical acceptance, of the art film documentary at the mid-point of the 20th century. In a series of elegantly written and deeply perceptive essays by some of the most respected authorities in the field, such classic films as The Mystery of Picasso (1956), Henry Moore (1951), and the experimental feature film Pictura (1951) are brought back to public attention in a volume that is an essential text for both cinema historians and art lovers as well. A dazzling volume in every respect – bravo! -- Wheeler Winston Dixon, James Ryan Professor of Film Studies, University of Nebraska-Lincoln, USA It is not well-known today that in the aftermath of World War II, emerging trends in media and international alliances, ideas about mass communication and the democratization of culture, and representation of national identity converged to produce a ""golden age"" of films about art and artists in Europe and the U.S. Art in Cinema is an invaluable resource on the mid-century heyday of the art documentary. -- Susan Felleman, Professor, Art History & Film and Media Studies, University of South Carolina, USA"


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