Jenni Sorkin is Associate Professor of History of Art & Architecture at the University of California, Santa Barbara. She writes on the intersections between gender, material culture and contemporary art, working primarily on women artists and under-represented media. Her publications include Live Form: Women, Ceramics and Community, Revolution in the Making: Abstract Sculpture by Women Artists, 1947-2016 and numerous essays in journals and exhibition catalogues. She was educated at The School of the Art Institute of Chicago, Bard College, and received her PhD from Yale University. She is a member of the Editorial Board of the Journal of Modern Craft.
"A much-needed survey of the history of visual art in California from the early 20th century to the present... Manage[s] to lucidly layer the sociopolitical, geographic, institutional, and cultural concerns of the moment... Sorkin's survey is an unprecedented example of inclusivity, consistently foregrounding craftspeople, artist-educators, women, queer artists, and artists of color -- while reiterating that for most of the period covered by this book, opportunity in the art world (in California as elsewhere) was restricted to white, heterosexual men. Her approach is refreshingly nonhierarchical: she gives nearly every artist mentioned roughly the same amount space, regardless of their art-world status.-- ""Hyperallergic"""